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You Gotta Dig a Little Deeper
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Album: You Gotta Dig a Little Deeper
# Song Title   Time
1)    Heartbreak Number Nine
2)    Four Walls
3)    Girl in the Valley, The
4)    You Gotta Dig a Little Deeper
5)    Saving Grace
6)    Rosine
7)    Girl from West Virginia
8)    Blues for My Darling
9)    Love Me As You'd Love the Rain
10)    What Ain't to Be, Just Might Happen
11)    Oak Valley Girl
12)    When I'm Knee Deep in Bluegrass
 
Album: You Gotta Dig a Little Deeper
# Song Title   Time
1)    Heartbreak Number Nine
2)    Four Walls
3)    Girl in the Valley, The
4)    You Gotta Dig a Little Deeper
5)    Saving Grace
6)    Rosine
7)    Girl from West Virginia
8)    Blues for My Darling
9)    Love Me As You'd Love the Rain
10)    What Ain't to Be, Just Might Happen
11)    Oak Valley Girl
12)    When I'm Knee Deep in Bluegrass
 
Product Description
Product Details
Performer Notes
  • Doyle Lawson/Doyle Lawson & Quicksilver: Doyle Lawson; Barry Scott (bass instrument); Terry Baucom, Jamie Dailey.
  • Personnel: Doyle Lawson (vocals, guitar, mandolin); Jamie Dailey (vocals, guitar); Terry Baucom (vocals, banjo); Barry Scott (vocals); Glen Duncan (fiddle).
  • Additional personnel: Glen Duncan .
  • Audio Remixers: Doyle Lawson; Wesley Easter.
  • Liner Note Author: Eddie Stubbs.
  • Recording information: Eastwood Studio, Cana, VA.
  • Photographer: Michael Wilson .
  • Bluegrass-gospel mandolin legend Doyle Lawson's first record for the Rounder label is a textbook execution of the kind of harmonious precision, instrumental acumen, and Nashville heart that has served as his muse for the last four decades. His ever-rotating Quicksilver band has been a boot camp of sorts for a myriad of singers and instrumentalists, including longtime banjo player Terry Baucom, five-year veterans Jamie Dailey and Barry Scott, and recent convert and electrifying fiddler Jesse Stockman. They don't disappoint on the pitch-perfect You Gotta Dig a Little Deeper, a collection of secular and non-secular waltzes, breakdowns, and close harmony barnburners that are so dead-on in every aspect that it's almost too easy for the listener to let them pass by without a nod to all the work that went into them. While "Heartbreak Number Nine," fueled by Stockman's surging double stops, "What Ain't to Be, Just Might Happen"'s mischievous wordplay, and the title cut's infectious melody rank high among the artist's repertoire, it's only the lone instrumental, the self-penned "Rosine," that suggests the wealth of off-the-cuff creativity that runs through this country gentleman's veins. ~ James Christopher Monger
Professional Reviews
Uncut (p.100) - 3 stars out of 5 - "[With] spotless arrangements and consummate interweaving of fiddle, banjo and guitar."
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