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World in Motion
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Album: World in Motion
# Song Title   Time
1)    World in Motion
2)    Enough of the Night
3)    Chasing You Into the Light
4)    How Long
5)    Anything Can Happen
6)    When the Stone Begins to Turn
7)    Word Justice, The
8)    My Personal Revenge
9)    I Am a Patriot
10)    Lights and Virtues
 

Album: World in Motion
# Song Title   Time
1)    World in Motion
2)    Enough of the Night
3)    Chasing You Into the Light
4)    How Long
5)    Anything Can Happen
6)    When the Stone Begins to Turn
7)    Word Justice, The
8)    My Personal Revenge
9)    I Am a Patriot
10)    Lights and Virtues
 
Product Description
Product Details

Tracks

Performer Notes
  • Personnel: Jackson Browne (vocals, acoustic, slide, baritone & resi-phonic guitars, piano); Kevin Dukes, Yves Ndjock (guitar); David Lindley (acoustic & lap steel guitars); Scott Thurston (keyboards, bass, background vocals); Ray Lema (keyboards, background vocals); Craig Doerge (keyboards); Bob Glaub, Robbie Shakespeare (bass); Michael Jochum, Walfredo Reyes, Sly Dunbar (drums); Alex Acuna, Brice Wouassy (percussion); Russ Kunkel (programming); Bonnie Raitt, Doug Haywood, Lori B. Williams, Djene Doumbouya, Brinsley Forde, Tony Gad, Drummie Zeb (background vocals).
  • Principally recorded at Groovemasters, Santa Monica, California.
  • This is Jackson Browne's most political album. At times, it seems less like a collection of songs than an aural neon sign flashing "I am outraged!" In "The Word Justice," for example, Browne paints a devastating portrait of Oliver North's appearance before Congress, and later devotes a verse to the CIA's alleged drug smuggling activities. Elsewhere, the title tune warns of America's decline while "How Long" rails against defense spending at the expense of hungry children.
  • All is not doom and gloom, however. On a more optimistic note, "When the Stone Begins to Turn" (which boasts a reggae groove courtesy of guest stars Sly and Robbie) suggests that South Africa's Nelson Mandela would someday be freed, and some of the songs--in particular "My Personal Revenge" and "Lights and Virtues"--have an almost inspirational tone. Musically, the album is a slicked up version of the L.A. studio pop familiar from most of Browne's '80s albums; there is, however, some sort of irony in the fact that his main collaborator here, multi-instrumentalist Scott Thurston, originally played with the RAW POWER-era Stooges (he can be heard, sort of, on METALLIC KO, the notorious bootleg of the last ever Stooges concert).
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