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The Season For Romance
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Album: The Season For Romance
# Song Title   Time
1)    The Season For Romance Album Version More Info... 4:07
2)    Baby It's Cold Outside Album Version More Info... 3:45
3)    Let It Snow/Winter Wonderland Album Version More Info... 4:22
4)    Have Yourself A Merry Little Christmas Album Version More Info... 4:28
5)    Silent Night More Info... 2:30
6)    White Christmas Album Version More Info... 4:23
7)    Forever Christmas Eve Album Version More Info... 4:28
8)    The Man With The Bag Album Version More Info... 2:30
9)    The Christmas Song Album Version More Info... 4:00
10)    What Are You Doing New Year's Eve? Album Version More Info... 4:31
 

Album: The Season For Romance
# Song Title   Time
1)    The Season For Romance Album Version More Info... 4:07
2)    Baby It's Cold Outside Album Version More Info... 3:45
3)    Let It Snow/Winter Wonderland Album Version More Info... 4:22
4)    Have Yourself A Merry Little Christmas Album Version More Info... 4:28
5)    Silent Night More Info... 2:30
6)    White Christmas Album Version More Info... 4:23
7)    Forever Christmas Eve Album Version More Info... 4:28
8)    The Man With The Bag Album Version More Info... 2:30
9)    The Christmas Song Album Version More Info... 4:00
10)    What Are You Doing New Year's Eve? Album Version More Info... 4:31
 
Product Description
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Performer Notes
  • Personnel: Lee Ann Womack (vocals); Dennis Budimir (acoustic & electric guitars); Daniel Higgins, Pete Christlieb (saxophone, horns); Rob Mounsey (piano); Chuck Domanico (upright bass); Vinnie Colaiuta (drums).
  • Sure, Lee Ann Womack was already stepping far beyond the boundaries of country (even by contemporary standards) with her previous album SOMETHING WORTH LEAVING BEHIND, but while that Sheryl Crow-ish affair maintained some tenuous ties to Womack's roots, THE SEASON FOR ROMANCE represents a complete severing of Nashville ties in every sense. For one thing, the record was recorded in L.A., with a full complement of West Coast studio cats. More importantly, it's an album of Christmas songs (okay, that could still be country) performed entirely in swing-jazz, Great American Songbook mode (bye bye cowboy). What's most impressive, aside from the seamless ease with which Womack slides into this role, is the authenticity of the production and the horn and orchestra arrangements, which sound like they could have come straight off a classic '50s record by, say, Eydie Gorme. From pop-rock to Xmas swing all in the space of a couple of months; who knows what the next album will bring for Womack?
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