Rolling Stone (3/21/96, p.98) - 3 Stars - Good - "...Sepultura play a violent game of sonic overload....the band uses its catharsis as a creative force, funneling torrents of noise into a tunnel of hate..."

Spin (4/96, p.110) - 6 - Reasonably Good - "...takes the rain-forest chants and street drumming flavor that flickered through the firestorm of CHAOS A.D. even further....Sepultura's ethnography...[is] about sound--heavy bloco drumming and crushing guitars were made for each other..."

Q (7/01, p.91) - Included in Q's "50 Heaviest Albums of All Time".

Q (3/96, p.103) - 3 Stars - Good - "...it's constructed of ferocious throat bending and huge riffs that support their growling menace, while simultaneously doffing a cap to their ethnic ancestors..."

Melody Maker (2/17/96, p.34) - "...the aural equivalent of being caught in a midfield by a PCP-fuelled defensive line from the Pittsburgh Steelers....this is [not] a mere metal barrage....There's ruthless rap attacks...the murderous electronic whining...the tribal chants and Brazilian ragga metal duets..."

NME (Magazine) (2/24/96, p.46) - 7 (out of 10) - "...a host of strange and traditional instruments has given Sepultura new formats for their extreme displeasure..."