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Once In A Very Blue Moon
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Album: Once In A Very Blue Moon
# Song Title   Time
1)    Ghost In The Music More Info... 2:49
2)    Love Is A Hard Waltz More Info... 3:10
3)    Roseville Fair More Info... 2:59
4)    Mary & Omie More Info... 4:31
5)    Friend Out In The Madness More Info... 2:41
6)    I'm Not Drivin' These Wheels (Bring The Prose To The Wheel) More Info... 3:17
7)    Time Alone More Info... 2:01
8)    The Ballad Of Robin Winter-Smith More Info... 3:14
9)    Daddy Said More Info... 2:35
10)    Once In A Very Blue Moon More Info... 2:33
11)    If I Were The Woman You Wanted More Info... 3:56
12)    Year Down In New Orleans More Info... 2:29
13)    Spin On A Red Brick Floor More Info... 2:49
 

Album: Once In A Very Blue Moon
# Song Title   Time
1)    Ghost In The Music More Info... 2:49
2)    Love Is A Hard Waltz More Info... 3:10
3)    Roseville Fair More Info... 2:59
4)    Mary & Omie More Info... 4:31
5)    Friend Out In The Madness More Info... 2:41
6)    I'm Not Drivin' These Wheels (Bring The Prose To The Wheel) More Info... 3:17
7)    Time Alone More Info... 2:01
8)    The Ballad Of Robin Winter-Smith More Info... 3:14
9)    Daddy Said More Info... 2:35
10)    Once In A Very Blue Moon More Info... 2:33
11)    If I Were The Woman You Wanted More Info... 3:56
12)    Year Down In New Orleans More Info... 2:29
13)    Spin On A Red Brick Floor More Info... 2:49
 
Product Description
Product Details
Performer Notes
  • Personnel includes: Nanci Griffith (vocals, acoustic guitar); Stephen Doster (acoustic & electric guitars); Pat Alger, Mark Howard (acoustic guitar); Phillip Donnelly (electric guitar); Lloyd Green (pedal steel guitar, dobro); Bela Fleck (banjo); Mark O'Connor (mandolin, mandola, violin, fiddle); John Catchings (cello); Terry McMillan (harmonica); Ralph Vitello (piano, synthesizer); Roy Huskey, Jr. (upright bass); Kenny Malone (percussion);
  • Lyle Lovett (background vocals).
  • Recorded at Jack Clement's Cowboy Arms Hotel and Recording Spa, Nashville, Tennessee between June 26 and July 2, 1984. Originally released on Philo (1096).
  • All tracks have been digitally remastered.
  • Griffith's third album marks the spot where her story, as they say, began to get really interesting; it's chock full of first-rate folk- and country-tinged songs (mostly her own, although she gets a lot of mileage out of folk veteran Bill Staine's "Roseville Fair"), superb musicianship by the cream of Nashville sessioneers, and utterly confident singing. Highlights include the wry story-song "Mary and Omie," which, despite being the most hardcore country tune on the album, is about a woman who can't wait to get the hell out of the South; and the delicately gorgeous folkie title track, featuring lapidary banjo work by then up-and-coming virtuoso Bela Fleck and heartbreaking high-lonesome backing vocals by the similarly up-and-coming Lyle Lovett.
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