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My Kind of Evil
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Album: My Kind of Evil
# Song Title   Time
1)    Shake That Mess
2)    What You Do to Me
3)    Ain't Gonna Lie
4)    I Don't Know
5)    Cheating Woman
6)    Nothing on Me
7)    You Can't Fool Me
8)    Slow Down
9)    Blue Monday
10)    My Kind of Evil
11)    You've Got Me (Where You Want Me)
12)    Code Blue
13)    Aching Pain
14)    Let's Have a Ball
 

Album: My Kind of Evil
# Song Title   Time
1)    Shake That Mess
2)    What You Do to Me
3)    Ain't Gonna Lie
4)    I Don't Know
5)    Cheating Woman
6)    Nothing on Me
7)    You Can't Fool Me
8)    Slow Down
9)    Blue Monday
10)    My Kind of Evil
11)    You've Got Me (Where You Want Me)
12)    Code Blue
13)    Aching Pain
14)    Let's Have a Ball
 
Product Description
Product Details
Performer Notes
  • JW-Jones (Canadian Blues): JW-Jones (vocals, guitar); Geoff Daye (piano, organ); Nathan Morris (double bass, bass guitar); Bill Brennan.
  • Personnel: Kim Wilson (vocals, harmonica, background vocals); Colin James (vocals, background vocals); Brian K. Asselin (tenor saxophone); Nathan Morris (upright bass, electric bass); Bill Brennan (drums, box); Roxanne Potvin (background vocals).
  • Additional personnel: Colin James, The Wind-Chill Factor Horns, Roxanne Potvin.
  • Liner Note Author: Fred Litwin.
  • Recording information: Raven Street Studios, Ottawa, Ontario, Canada (01/09/2004-01/11/2004).
  • Arranger: Nancy Wynne-Jones.
  • JW-Jones stretches out a bit on his third album, bringing a horn section into the mix to fill out the sound, and give it the feel of '50s-era R&B. But at the same time there's a slightly ragged feel to everything, and Jones' guitar playing, while bluesy, has as much rock about it as anything else -- it's easy to hear Eric Clapton in his solo on "Ain't Gonna Lie," for example, both in tone and style. He's very good on covers, such as "I Don't Know," but his own songs -- the vast majority of this disc -- have plenty of life. Producer Kim Wilson opts for a very full sound, bringing the guitar to the full front for solos. Jones himself is a slightly better than average singer -- but his vocalizing is eclipsed by his playing, and there are times when he might do better to emphasize his fretwork, which he does on the Stax-inflected "Nothing on Me." He works well with bluesman Colin James when the latter takes lead vocals, as on "You've Got Me," and Wilson gives some great harmonica on "Blue Monday." It's encouraging to hear Jones expanding his horizons, and he continues to grow as a player with this disc. ~ Chris Nickson
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