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Down There


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Performer Notes
  • Recording information: The Good House (06/2010).
  • Down There, the first solo album from Animal Collective's Avey Tare (except for a collaborative album with his wife, m£m's Kr¡a Brekkan), is naturally going to remind listeners of a quieter, more plaintive Animal Collective LP. That's not to say that Tare (aka Dave Portner), the group's primary writer, is a folkie singer/songwriter at heart, content to strum away at his guitar and sing about his feelings. Down There is virtually as experimental as Animal Collective. The beats are adventurous, sometimes so aqueous and damp that you can feel the splash, other times pin-point sharp. The rest of the musical backing is hazy and nearly unidentifiable, except when tones that are bell-like or chime-like rise above. Tare is similarly adventurous with his vocals, often multi-tracking and sampling it until his voice becomes just another element of the swampy, murky production. The obvious reference point here, aside from Animal Collective itself, would be his bandmate Panda Bear's 2007 album Person Pitch, one of the most critically praised records of the year. Down There reveals that Avey Tare and Panda Bear have very similar musical visions, a function of the supportive nature of their record-making (both together and apart). Tare isn't simply the songwriter/vocalist and Panda Bear the soundscape creator in some sort of Ferry/Eno dichotomy. Person Pitch proved that Panda Bear has an ear for melody, and Tare's Down There has not only the same woodsy, pixilated folk-pop of AC but also much of its fractured production smarts. Still, quiet and reflective where Animal Collective has become epic and dense, the album is unique, a mellow gem of experimental folk. ~ John Bush
Professional Reviews
Mojo (Publisher) (p.99) - 4 stars out of 5 -- "DOWN THERE relies less on the wig-out dance grooves of MERRIWEATHER POST PAVILION and more on melody and mood. Musically, the influence of dubstep is readily apparent."

Pitchfork (Website) - "Throughout the record, the vogue for nostalgia that permeates so much modern indie gets inverted. Sometimes, this record says, the past is better left behind."

Clash (magazine) - "Aquatic, mysterious and sloshing with deep rhythms....Dangerously engaging."

Uncut (magazine) (p.81) - 4 stars out of 5 -- "Portner's trademark forest-floor ambience and levitating harmonies still sound like the freshest thing around."
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