Name: 1969
Brand: Polydor
SKU: 168833595
Price: 74.18 SGD
Availability: InStock

1969

Rating

Album: 1969
#	Song Title		Time
	Disc 1
1)	Foggy Notion (Original 1969 Mix)	More Info...
2)	One of These Days (2014 Mix)	More Info...
3)	Lisa Says (2014 Mix)	More Info...
4)	I'm Sticking With You (Original 1969 Mix)	More Info...
5)	Andy's Chest (Original 1969 Mix)	More Info...
6)	I Can't Stand It (2014 Mix)	More Info...
7)	She's My Best Friend (Original 1969 Mix)	More Info...
8)	We're Gonna Have a Real Good Time Together (2014 Mix)	More Info...
9)	I'm Gonna Move Right In (Original 1969 Mix)	More Info...
10)	Ferryboat Bill (Original 1969 Mix)	More Info...

Album: 1969
#	Song Title		Time
	Disc 1
1)	Foggy Notion (Original 1969 Mix)	More Info...
2)	One of These Days (2014 Mix)	More Info...
3)	Lisa Says (2014 Mix)	More Info...
4)	I'm Sticking With You (Original 1969 Mix)	More Info...
5)	Andy's Chest (Original 1969 Mix)	More Info...
6)	I Can't Stand It (2014 Mix)	More Info...
7)	She's My Best Friend (Original 1969 Mix)	More Info...
8)	We're Gonna Have a Real Good Time Together (2014 Mix)	More Info...
9)	I'm Gonna Move Right In (Original 1969 Mix)	More Info...
10)	Ferryboat Bill (Original 1969 Mix)	More Info...

Performer Notes

Personnel: Lou Reed (vocals, guitar); Doug Yule (vocals, bass); Sterling Morrison (guitar); Maureen Tucker (drums).
Recorded live in Texas and San Fransisco in 1969. Includes liner notes by Elliott Murphy and Paul Nelson.
This 2-LP set was split into 2 separate CDs.
Though 1970 brought LOADED and (relative) commercial success for the Velvets, it also saw the beginning of their decline. Apparent commercial concessions and interpersonal tensions had already begun to tear the band apart at the seams. Their real peak came the year before, when--finding themselves halfway between artiness and pop pursuits--they dived headlong into amphetamine-fueled, minimalist-influenced proto-punk. The European influence had lessened with the departure of John Cale, allowing the VU to become a pure rock & roll band of unprecedented fervor.
From the strung-out stomp of "Waiting For the Man" to the churning, perversely repetitious rhythms of "What Goes On" and the ironically revelatory "I'm Beginning To See The Light" the band blares away with such determinism it sounds like they're trying to bore a hole through the bottom of the stage. This live recording sees the fruition of their structural collectivist ethic; there are essentially no solos or improvisations, and yet they jam on the progressions of many of the songs for several minutes, allowing minute changes in dynamics to substitute for melodic/harmonic explorations. One of the finest live albums you'll hear, this is rock at its purest and most functional.