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Jiro Matsumoto was born on August 20, 1970. A graduate of the
Mushashino College of the Arts with a major in sculpture art,
Matsumoto quickly turned his focus on the comics world upon
receiving his undergrad degree in 1992. That year he took the top
honor in Kodansha's prestigous Morning/Chiba Tetsuya New Comic
Artist Award. His debut work Little Field blew the judges away with
its fast pacing and unhinged art-style.
While Matsumoto has penned numerous short-stories over the past two
decades his first major success was the sci-fi thriller FREESIA.
Published by Shogakukan's IKKI magazine since 2001, FREESIA would
come to redefine indie comics in Japan when it was adapted into a
live action film in 2006.
Velveteen & Mandara will be Matsumoto's first book in English.
“Velveteen & Mandala feels wrong in the best sense of the word.
It’s a creepy, gross little monster of a book, the type that is
going to crawl inside your brain and throw up on your frontal
lobes… The strongest scenes come from the extreme cruelty that
lurks behind high school life or the way that people—and I mean
regular people here, like you and me—are casually insensitive to
each other in deeply cutting ways… The exact manga you need if
you’re a fan of Johnny Ryan’s Prison Pit, Charles Burns’s Black
Hole, or seeing some good old-fashioned gross action.” —Comics
Alliance
“Velveteen & Mandala is as disturbed as its protagonists, and maybe
that’s because it manages to be both fun and sad… Just like the way
Mandala obsessively shouts ‘Tape recorder!’ at the top of her
lungs, Velveteen & Mandala will stay in your head and beg to be
reread. Here’s hoping Vertical, or an equally gutsy publisher,
pumps out more material like Matsumoto’s in the direction of an
otherwise unsuspecting North American audience.” —Otaku USA
“It is funny, but in the black, ghastly way that something like
Catch-22 or M*A*S*H (the original film, at its most embittered) was
funny: you laugh, along with the storyteller, that you may not cry…
The most significant development over the course of V&M is how
it slowly trades the outré, non-sequitur black humor of its opening
chapters for something a lot sadder and more expansive. There’s a
surprising amount of emotional punch in the conclusion, enough that
it invites a second reading of the book…” —Genji Press
"The key in appreciating this genius manga would be to just look
deeper. The manga gives focus on how harsh life can be that people
would be forced to sacrifice what they have. While this manga isn't
recommended for teens, as it contains a lot of disturbing content,
it definitely should be read." - Review Stream
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