Achy Obejas is the author of the critically acclaimed novels Ruins, Days of Awe, and three other books of fiction. She edited and translated (into English) the anthology Havana Noir, and has since translated Junot Diaz, Rita Indiana, Wendy Guerra, and many others. In 2014, she was awarded a USA Ford Fellowship for her writing and translation.
By turns searing and subtly magical, the stories in Obejas' vividly
imagined collection are propelled by her characters' contradictory
feelings about and unnerving experiences in Cuba . . . For all the
human tumult and deftly sketched and reverberating historical and
cultural contexts that Obejas incisively creates in these poignant,
alarming tales, she also offers lyrical musings on the mysteries of
the sea and the vulnerability of islands and the body. Obejas'
plots are ambushing, her characters startling, her metaphors fresh,
her humor caustic, and her compassion potent in these intricate and
haunting stories of displacement, loss, stoicism, and
realization.-- "Booklist"
Captivating . . . These conflicts of identity, selfhood, and
belonging are braided with lush phrasing and a penchant for details
and observations.-- "Atticus Review"
Obejas writes with gentleness, without flashy wording or gimmicks,
about people trying to figure out where they belong . . . The
language we use and the stories we tell impact the futures we can
imagine, but they are also restricted by what has come before.
Obejas's Cuban characters, like most Americans, have limited access
to the resources they need. One gets the sense that Obejas, like
the Maldivian president, thinks it is time that the world takes
these systemic problems on.-- "Los Angeles Review of Books"
Questions of personal and national identity percolate through the
stories in Obejas's memorable short fiction collection, most of
which is set in Cuba, the author's birthplace . . . These 10
stories show Obejas's talent, illuminating Cuban culture and the
innermost lives of her characters.-- "Publishers Weekly"
The rich thematic and symbolic texture of much of the collection
rewards repeated reading and promises continued insight. How Cuba's
distinctive history and culture shape the unique negotiations with
identity, memory and the idea of home that complicate the lives of
the residents, exiles, and expatriates who populate this volume is
a worthy subject indeed.-- "Lambda Literary"
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