1. The Rise of Tantra in Medieval India 2. Tantric Yoga in the Court 3. The Spread of Tantra Across Asia 4. Tantra and Revolution in Colonial India 5. Reimagining Tantra in the 20th Century
A compelling exploration of Tantric rituals and spirituality, published to coincide with a once-in-a-generation exhibition at the British Museum
Imma Ramos is a curator of the South Asia collections at the British Museum.
'This wonderful catalogue is not merely a supplement to the
exhibition - or even a replacement for those who had to miss it in
the lockdown - but a great resource, a gateway to learn more about
the wider context of Tantra. It achieves the rare feat of being
scholarly and very readable while the exquisite illustrations offer
endless opportunities to reflect on the aesthetic traditions
inspired by Tantra' - Professor Rachel Dwyer (former Professor
Emerita and Professorial Research Associate, SOAS South Asia
Institute), Open
'A coherent and informative text that brings the tradition to life
through representations from the history of tantric art. Tantra is
the most important tradition of India from around the 6th to 13th
century, and this book is the best synthesis of textual and
historical scholarship along with art historical scholarship that
has been written. The exhibition on which it is based is the finest
there has been to date. The book is interesting and engaging: a
wonderful achievement' - Professor Gavin Flood (Professor of Hindu
Studies and Comparative Religion, University of Oxford)
'Filled with beautiful artwork … the book is a visual feast, and
the accompanying text, fascinating, clear and to the point. An
excellent introduction to the reality of what tantra actually is,
its history and the importance of art within it. A delight' -
Sacred Hoop
'Scholarship on tantra has flourished over the last three decades,
revealing its strong influence on all aspects of Indian religion
and society. In this beautiful book Imma Ramos analyses and
synthesises the latest academic findings at the same time as
putting them in dialogue with the finest examples of the wealth of
artistic creativity that tantra inspired. Dr Ramos thereby creates
a coherent and highly readable history of this vast, complex
tradition, from its first-millennium roots to its
twenty-first-century flowerings' - Dr James Mallinson (Senior
Lecturer in Sanskrit and Classical and Indian Studies at SOAS,
University of London)
'This book, based on the splendid exhibition Tantra: Enlightenment
to Revolution, is an outstanding scholarly contribution to the
study of Tantra and its place in Indian culture. With its eminently
readable text and superb reproductions this work is a must for all
those interested in Indian religious studies and art' - Professor
Anna L. Dallapiccola (Honorary Professor of Indian Art, University
of Edinburgh)
'Achieving the impossible, this brilliant book pulls together the
many facets of Tantra - its history, ritual, cosmology, societies,
and spiritual practices, into a single coherent picture. Spanning
vast territories, from Indian through Tibet and beyond, Imma
Ramos's explanations decode the art of the tradition. She tells a
story that is both scholarly, and vividly fascinating. Through the
window of tantric art, we discover important beliefs about nature,
divinity, and what it is to exist as a human channelling the
powerful forces of the cosmos' - Dr Jessica Frazier (University
Research Lecturer, University of Oxford)
'This compelling catalogue traces the history of Tantra - from a
revisionist perspective. Travelling from its earliest
manifestations as a form of Mother Goddess worship and ending with
a look at contemporary art by South Asian female practitioners
(such as Bharti Kher and Sutapa Biswas’s re-works of powerful
female deities), it seeks to challenge Imperialist stereotypes of
Tantra as exotic, erotic and, irredeemably, decadent. Instead, we
learn an alternative history of the movement, as a rebellious
female energy that was harnessed for anti-colonial revolts in the
19th and early 20th centuries in British India (think of the
lolling-tongued Kali on many a ‘seditious’ nationalist poster in
Bengal) even as it contained within itself the seeds of a
subversive feminist politics … Well worth a read for anyone seeking
to challenge traditional ideas about South Asia’s traditions in the
British imaginary' - Dr Zehra Jumabhoy (Art Historian and Curator)
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