THE STONE BUILDING AND OTHER PLACES Asli Erdogan Translated by Sevinc Turkkan THE MORNING VISITOR (1) THE WOODEN BIRDS (9) THE PRISON (29) THE STONE BUILDING (46) The Beginning The Humans The Stones The Dreams The Roaring Laughter The Stories The Endings
Galleys Print campaign: LA Times, NY Times, Harper's, The Nation, London Review of Books, The Believer, Bomb, Bookforum, Chicago Sun Times, Chicago Tribune, Minneapolis Star Tribune, SF Chronicle, Guardian UK, Toronto Globe & Mail, Miami Herald, Poets & Writers, NY Review of Books, New Yorker, Rain Taxi, Bloomsbury Review, Wall St Journal, Washington Post, World Literature Today, among other publications focused on world literature, contemporary fiction, and Middle East politics such as World Literature Today, Journal of Mid East Studies, Translation and Literature and World and I. We'll send to the trades: PW, Kirkus, Library Journal, and Booklist. Pursue Excerpts and/or Reviews in: Literary translation journals such as: eXchanges Journal of Literary Translation (University of Iowa), TWO LINES, Metamorphoses (Smith College), Circumference (Columbia University), Conjunctions (Bard College), Massachusetts Review, Banipal, and others. Online/social media campaign: Words Without Borders (translator is a regular contributor), Conversational Reading, Three Percent (University of Rochester), The Rumpus, World Literature Today, Salonica World Lit, Complete Review, Molussus, Awl, Facebook, Twitter, Goodreads, Wikipedia Radio: PRI's "The World", NPR's "All Things Considered" and "Weekend Edition" Academic promo: Translator Sevnic Turkkan can organize panels/readings at MESA, ALTA (Sept 2017) and MLA. Will pursue panel at PEN World Voices May 1-7, 2017
Asli Erdogan (who has no relation to Turkish President Recep Tayyip Erdogan) is a renowned novelist, columnist, and human rights activist. She was born in Istanbul in 1967. She studied computer engineering and physics, and wrote her dissertation at the European High Energy Physics Laboratory. She quit her graduate work in physics in Rio de Janeiro and devoted herself entirely to writing. She lived for two years in South America. Her first novel Kabuk Adam ("The Scab Man") was published in 1994; her short story collection Mucizevi Mandarin ("The Miraculous Mandarin" was published in 1996. Her short story "The Wooden Birds" received the Deutsche Welle literary prize and was translated into nine other languages. Her second novel The City of Crimson Cloak (1998) appeared in English, French, and Norwegian; and was published by Actes Sud and Gyldendal's "Marg" series. Her non-fiction writings were collected in Bir Yolculuk Ne Zaman Biter ("When Does a Journey End?"). She was included in the list of "The Writers of the Next 50 Years" by Lire magazine and her book of poetic prose Hayatin Sessizliginde ("In the Silence of Life") was selected the book of the year by Dunya Publishing. Her two essay collections Bir Kez Daha ("Once Again") and Bir Delinin Guncesi ("A Diary of a Madman") were published in 2006. She has received numerous accolades in the international press and her works continue to appear in other world languages.
More praise for The Stone Building and Other Places: "The Stone Building by Asli Erdogan appears at first glance to be a collection of three short stories and a novella. In fact it is a literary text with a single unifying and sad theme: confinement. Erdogan is a most original and courageous literary voice, and The Stone Building bears on what is going on in present day Turkey."--Daniel Beaumont, author of Preachin' the Blues: The Life and Music of Son House "It is very difficult, and often impossible, to bring the music of Turkish into English. It is all the more difficult when the author-under-translation writes subtle and sinuous prose that stretches the conventions of literary Turkish to its limits. So, what a pleasure it is to see Sevinc Turkkan achieving the almost impossible. Not only does she do justice to Asli Erdogan's prose. She makes it sing."--Maureen Freely, translator "Erdogan's real strength as a writer in The Stone Building and Other Places is her reconciliatory relationship with psychological struggle. . . . [she] shows particular sensitivity to women in her stories and weaves their stories with what she reveals to be her most identifiable literary subject, the wounded human being."--Iclal Vanwesenbeeck, World Literature Today "Erdogan, a journalist and human-rights activist, was arrested and detained in Turkey for four months after the failed coup attempt of July 2016. The stories in this collection, which won Turkey's Sait Faik Short Story Award, revolve around women facing isolation, exile and imprisonment. In The Morning Visitor, a man visits a woman in a boardinghouse for migrants in a northern city; his presence reminds her, 'That dark cell, it follows me wherever I go.' Wooden Birds centres on Filiz, an asthmatic political refugee who is 'extremely gloomy, withdrawn, and wounded.' She is one of six patients in a hospital lung ward--three foreigners, three Germans--allowed a surreal outside visit. The title novella engages multiple voices in a haunting lament for freedoms lost in 'stone buildings'--jails, mental hospitals, interrogation sites."--Jane Ciabattari, BBC.com "She was imprisoned for months by the Turkish government following the 2016 coup and was the subject of both PEN International and PEN America advocacy campaigns. Assuming, like me, you tend to think muse follows experience, let us all in turn follow Erdogan. This book should be high up in your holiday to-read pile."--M. Bartley Seigel, Words Without Borders The book strings together a sequence of seven short stories, thematically and atmospherically linked, full of shadows, chill winds, suffering and isolation. . . . The tales in The Stone Building are cerebral, austere and intensely personal . . ."--William Armstrong, Hurriyet Daily News "It is difficult to discuss The Stone Building and Other Places outside of the context of the failed July 15, 2016 coup and the June 14, 2018 Turkish election that has strengthened and extended the powers of the current regime in Ankara. Within the collection itself one sees a transition from the pre-Millennium story "Wooden Birds," with its lively young women who possess names, personal histories, boyfriends, a sense of humor, to the shadowy anonymous figures moving through the nightmare world of The Stone Building, which appeared little more than a decade later. Much has happened in Turkey since that time, and one anticipates hearing more of Asli Erdogan's continuing response to it."-C. John Burk, Metamorphoses