Emmy-Award-winning filmmaker J.J. Abrams has produced, directed, or written films and television shows including Star Wars: The Force Awakens, Fringe, Lost, Alias, Felicity, Star Trek, Cloverfield, Mission: Impossible, and more. Doug Dorst teaches writing at Texas State University. He is the author of the PEN/Hemingway-nominated novel Alive in Necropolis and the collection The Surf Guru. His work has appeared in McSweeney's, Ploughshares, Epoch, and elsewhere. Dorst is also a three-time Jeopardy! champion.
"S. is gorgeous, a masterpiece of verisimilitude. . . . The
book's spiritual cousin is A.S. Byatt's Possession. . . .
The brilliance of S. is less in its showy exterior than the
intimate and ingeniously visual way it shows how others' words
become pathways to our lives and relationships." --Washington
"Both as literature and as a physical object, S. is a profound and tremendous work of art."--The Miami Herald
"Both as literature and as a physical object, S. is a profound and tremendous work of art. . . . Brilliantly conceived and perfectly executed, the book harkens back to a golden age of storytelling. . . . An audacious literary achievement that calls to mind Vladimir Nabokov's Pale Fire, Chris Ware's Building Stories and even Charles Portis' Masters of Atlantis." --Miami Herald
"Impressively smart, engaging . . . Filled with secrets and stories that are endlessly beguiling and inviting . . . Reading S., and trying to decode everything [was] an incredibly enjoyable, fun experience, as well as a particularly immersive one. . . . For all its mysteries and intrigues, this is a book about the value of books, and what they can offer us that other storytelling mediums cannot." --Wired
"Reading S. is fun, and the book feels alive . . . Gloriously embroidered with marginalia and jammed with artifacts inserted between its pages . . . A celebration of the book as a physical thing." --Chicago Tribune
"The best-looking book I've ever seen. . . . The book is so perfectly realized that it's easy to fall under its spell. . . . If you want to write a romantic mystery meta-novel in which two bibliophiles investigate the conspiracy around an enigmatic Eastern European author, you couldn't choose a better team." --Joshua Rothan, New Yorker