Foreword by Eamonn McCabe Introduction Part One: America and The Americans Chapter 1: Frank and the 50s Chapter 2: Developing The Americans Chapter 3: 'The Americans' as the love child of ‘art’ and ‘documentary’ Chapter 4: The creation, selection and programming of The Americans images Chapter 5: Image and text Part Two: Themes in The Americans Chapter 5: People of the Flag Chapter 6: On the Road Chapter 7: Losing my religion: new icons for a new civilisation Chapter 8: The Americans and The Family of Man Chapter 9: The Americans and the promotional images of Standard Oil Chapter 10: The primacy of the visual Part Three: The Americans as a photographic sequence Conclusion
Jonathan Day teaches Documentary Photography to postgraduates and is senior lecturer in visual communications and theoretical and historical studies in art and design.
Robert Frank never did say very much and there is not a single word
by him in 'The Americans'. Jonathan Day in this book has expertly
taken over as Frank's narrator [...] As Jack Kerouac says in his
introduction to 'The Americans', 'to Robert Frank I now give this
message: you got eyes'. And now we have the words.
*Eamonn McCabe, Picture Editor of The Guardian from 1988 to 2001*
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