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Recasting Commodity and Spectacle in the Indigenous Americas
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Table of Contents

Introduction: Recasting commodity and spectacle in the indigenous Americas - Helen Gilbert and Charlotte Gleghorn

1. ‘Will making movies do the sheep any good?’ The afterlife of Native American images - Michelle H. Raheja

2. Modernity and the indigenous in centennial celebrations of independence in Mexico City, 1910 and 1921 - Michael J. Gonzales

3. Indigeneity in the Oruro Carnival: official memory, Bolivian identity and the politics of recognition - Ximena Córdova Oviedo

4. Crafting contemporary indigeneity through audiovisual media in Bolivia - Gabriela Zamorano Villarreal

5. Nora Naranjo-Morse’s ‘Always Becoming’: enacting indigenous identity on a museum stage - Andrea Zittlau

6. Performance, gestures and poses in postcards of Ho-Chunk in Wisconsin Dells - Sarah Anne Stolte

7. Rethinking spectacle and indigenous consumption: commercial huayno music in Peru - James Butterworth

8. Everyday work as spectacle: celebrating Maya embodied culture in Belize - Genner Llanes-Ortiz

9. Spectacle and discourse of decommoditisation in the construction of subaltern public spheres:the P’urhépecha New Year and P’urhéecherio - Andrew Roth-Seneff

10. Performing and disputing indigeneity in the Fiesta del Coraza in Otavalo, Ecuador - Sergio Miguel Huarcaya

11. Indigeneity, law and performance on the Atlantic Coast of Nicaragua - Isabel Altamirano-Jiménez

12. What we talk about when we talk about Indian - Yvette Nolan

13. Indigenous interventions at Klahowya Village, χwayχw əy Vancouver/ unceded Coast Salish Territory - Selena Couture

About the Author

Helen Gilbert is professor of theatre at Royal Holloway, University of London, and principal investigator for Indigeneity in the Contemporary World: Performance, Politics, Belonging, an interdisciplinary project funded by the European Research Council 2009-14. Charlotte Gleghorn holds a chancellor's fellowship in the School of Languages, Literatures, and Cultures at the University of Edinburgh, and is a researcher on the Indigeneity in the Contemporary World project, hosted at Royal Holloway, University of London.

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