Contents
Introduction
Karen L. Edwards, Derek Ryan, Jane Spencer
Part I Testing Metaphor1. Entities in the World:
Intertextuality in Medieval Bestiaries and Fables
Carolynn Van Dyke
2. Una’s ‘Milkewhite Lambe’
Karen L. Edwards
3. Behn’s Beasts: Aesop’s Fables and Surinam’s Wildlife in
Oroonoko
Jane Spencer
Part II Plotting Agency
4. Shakespeare’s Animal Parts
Philip Armstrong
5. Exit Pursuing a Human: Performing Animals on the Early Modern
Stage
Andy Kesson
6. Collaborative Agency: Animals in Hardy’s Rural Novels
Virginia Richter
Part III Inscribing Voice
7. Counting Animals: Nonhuman Voices in Lear and Carroll
Kaori Nagai
8. ‘What am I?’: Locating the Indeterminate Voices of Ted
Hughes’s Animal Poems
Carrie Smith
9. "Thou, Spotted Eros": Love Poetry, Taxonomy, and the Erotics
of Adamic Naming
Matthew Margini
Part IV Exploiting Bodies10. The Hunting of the Hare:
Female Virtue and Companionate Marriage in Henry Fielding’s Joseph
Andrews and Tom Jones
Adela Ramos
11. "Filth and Fat and Blood and Foam": Animal Capital,
Commodified Meat, and the "Human" in Great Expectations
Jennifer McDonell
12. Fiction, Fashion, and the Victorian Fur Seal Hunt
John Miller
Part V Loving Dogs
13. Animal Intimacies: Cross-Species Affect and the Lapdog
Lyric
Laura Brown
14. Anthropomorphism, Personification and Humanization in
William Wordsworth’s Dog Poems
James P. Carson
15. "Was it Flush, or was it Pan?": Virginia Woolf, Ethel Smyth,
and Canine Biography
Derek Ryan
Karen L. Edwards is Professor of English at the University of Exeter, UK.
Derek Ryan is Senior Lecturer in Modernist Literature at the University of Kent, UK.
Jane Spencer is Professor of English at the University of Exeter, UK.
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