Introduction by Jonathan Openshaw
Interview with Hans Ulrich Obrist
Forces
Alyson Shotz
Carnovsky
Eno Henze
Geoffrey Mann
Hicham Berrada
Jólan van der Wiel
Ned Kahn
Nobuhiro Nakanishi
Sungfeel Yun
The Unseen
Essay Liam Young
Bodies
Anders Krisár
Barry X Ball
Bart Hess
Gehard Demetz
Jaume Plensa
Li Hongbo
Maiko Takeda
Marilene Oliver
Richard Dupont
Sruli Recht
Essay Daniel Miller
Surfaces
Aldo Tolino
Amy Brener
Crabtree and Evans
Jonathan Zawada
Katja Novitskova
Michael Staniak
Rachel de Joode
Robert Seidel
Tomáš Libertíny
Troika
Essay Sarah Williams
Particles
ArandaLasch
Claire Morgan
Katie Lewis
Kohei Nawa
Luke Jerram
Nathalie Miebach
Nucleo
Phillip Stearns
Seon Ghi Bahk
Thaddeus Wolfe
Essay Nathan Jurgenson
Matter
Daniel Arsham
Flavie Audi
Henrique Oliveira
Jeroen Verhoeven
Joseph Walsh
Junko Mori
Matter Design
Rogan Brown
Tokujin Yoshioka
Zhan Wang
Essay Glenn Adamson
Structures
Art+Com Studios
Chiharu Shiota
David DiMichele
Do Ho Suh
Jeongmoon Choi
Loop.pH
Numen/For Use
Roxy Paine
Žilvinas Kempinas
Zimoun
Essay Mark Foster Gage
Index
Credits
This inspirational book focuses on a return to tactility, featuring contemporary artisans who craft objects by hand whilst embracing the digital age.
Jonathan Openshaw: Jonathan Openshaw is editor in chief of POSTmatter magazine, and writes extensively on the impact of new technology on the creative industries. Openshaw studied Social Anthropology at Cambridge, and specialised in the anthropology of art and visual communication.
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