AcknowledgmentsIntroduction1 "Self-Motivating Exhilaration": On the Cultural Sources of Computer Communication2 Romanticism and the Machine: The Formation of the Computer Counterculture3 Missing the Net: The 1980s, Microcomputers, and the Rise of Neoliberalism4 Networks and the Social Imagination5 The Moment of Wired6 Open Source, the Expressive Programmer, and the Problem of PropertyConclusion: Capitalism, Passions, Democracy NotesIndex About the Author
Identifies Facial Recognition Technology as an example of the failed technocratic approach to governance, where new technologies are pursued as short-sighted solutions to complex social problems
Kelly A. Gates is Associate Professor in the Department of Communication at the University of California, San Diego. She is the author of Our Biometric Future: Facial Recognition Technology and the Culture of Surveillance (2011), as well as the editor of International Encyclopedia of Media Studies, Vol. 6: Media Studies Futures (2013) and The New Media of Surveillance (2009). Her writing has appeared in numerous journals, including Surveillance & Society, Communication and Critical/Cultural Studies, and Social Semiotics.
"Gates deftly explores the cultural work performed by facial recognition technologies, and in so doing demonstrates considerable skill in the critical analysis of emergent technologies. This book represents a significant contribution to our understanding about the ongoing elaboration of surveillance society throughout the globe." Anne Balsamo, University of Southern California, author of Technologies of the Gendered Body: Reading Cyborg Women and Designing Culture: The Technological Imagination at Work "A groundbreaking study. Our Biometric Future considers facial recognition technology through its wide range of political entanglements, such as post-9/11 security measures, the management of urban populations in commercial districts, and self-representation in online social networking sites. Across these contexts, Gates shows how facial recognition's political effects have developed in spite of the fact that the technology does not actually work very well. Written with style and wit, Our Biometric Future will resonate with readers in cultural studies, new media, science and technology studies, and anyone interested in surveillance, privacy and security in contemporary life." Jonathan Sterne, McGill University, author of The Audible Past: Cultural Origins of Sound Reproduction and MP3: The Meaning of a Format "Until last summer, hi-tech riots - broadcast on YouTube and organised by BlackBerry - were mostly the preserve of enterprising dissidents in Iran and China. But in June hordes of ice hockey fans in Vancouver, outraged by the local team's loss to a Boston rival, filmed themselves smashing cars and burning shops. Then it happened here. The crackdowns that follow such riots are equally hi-tech. In both Britain and Canada ordinary members of the public set up Facebook groups to share pictures and videos from the riots, using Twitter to name and identified perpetrators and alert the police. This was cyber-vigilantism at its most creative...impressive book" - Evgeny Morozov, London Review of Books, April 5th 2012
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