Reviews

Ewan McGregor's Iago keeps the plot moving with urgent passion rather than cool and measured calculation as he whips Chiwetel Ejiofor's Othello into a jealous and murderous frenzy against his new bride (Kelly Reilly, oozing sex with a honeyed come-to-bed voice). Yet McGregor's interpretation throws no new light on Iago's true motives as Ejifor brings terrifying power to his character's disintegration. - Karen Robinson, The Sunday Times

More than a retelling, this aptly termed "reconceptualization" provocatively modernizes Shakespeare's play. As in the original, the middle-aged general Othello the ``moor'' and young European noblewoman Desdemona fall in love and marry secretly. But Lester (To Be a Slave; John Henry) transplants the action from Venice and Cyprus to Elizabethan England and turns Iago and Emily into Africans like Othello, so that the three of them share a distinctly non-European point of view. Iago's envy of Othello and ability to whip him into a jealous rage at Desdemona are thus cast in a new light, though the tragic outcome remains the same. While the ending feels abrupt, Lester's novel succeeds in holding up a mirror to contemporary society. Phrases and passages directly based on Shakespeare's language are printed in a different typeface, a device that may distract the reader but eases comparisons with the original work. Ages 8-12. (Apr.)

The new "Sourcebooks Shakespeare" series is designed to attract a wide audience by emphasizing performance as well as text. A glossary and photos from contemporary stage and film productions accompany the text of each play, and related essays offer further insights. Each title contains an integrated audio CD that is narrated by British Shakespearean actor Sir Derek Jacobi and features excerpts from memorable performances of key scenes. The series boasts stellar credits: its advisory board includes Shakespeare scholars David Bevington and Peter Holland and Chicago Shakespeare Theater director Barbara Gaines. Among the contributors are several more Shakespeare scholars as well as actress Janet Suzman and Andrew Wade, formerly head of voice for the Royal Shakespeare Company. Both volumes begin with Thomas Garvey's "In Shakespeare's `Time,' " an essay that sets the playwright in historical context, and end with "The Cast Speaks," in which casts of 2005 productions discuss their approach to the characters they portrayed. The CD accompanying the Othello volume features a variety of noteworthy performers in the title role, including Paul Robeson, Paul Scofield, and Edwin Booth; and the CD accompanying the Romeo and Juliet volume presents recordings of Kate Beckinsale, Dame Peggy Ashcroft, and Ellen Terry as Juliet; Kenneth Branagh and Michael Sheen as Romeo; Sir Derek Jacobi as Mercutio; and Sir John Gielgud as Friar Laurence. With the number of film adaptations of Shakespeare's works in recent years, public libraries should seriously consider acquiring this series.-Carolyn M. Mulac, Chicago P.L. Copyright 2005 Reed Business Information.