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No Friend but the Mountains


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About the Author

Behrouz Boochani holds a Masters degree in political geography and geopolitics. He is a Kurdish-Iranian journalist, scholar, cultural advocate, writer and filmmaker, founder of the Kurdish-language magazine Weya, and an Honorary Member of PEN International. In 2013, he fled Iran and became a political prisoner of the Australian Government incarcerated in the Manus Regional Processing Centre (Papua New Guinea).
Translator Dr Omid Tofighian is a lecturer, researcher and community advocate based at the American University of Cairo and University of Sydney. His work combines philosophy with interests in rhetoric, religion, popular culture, transnationalism, displacement and discrimination. He contributes to community arts and cultural projects and works with asylum seekers, refugees and young people from Western Sydney. He has published numerous book chapters and journal articles and is the author of Myth and Philosophy in Platonic Dialogues (Palgrave, 2016). He has translated a number of articles for Behrouz Boochani for the Guardian.


A chant, a cry from the heart, a lament, fuelled by a fierce urgency, written with the lyricism of a poet, the literary skills of a novelist, and the profound insights of an astute observer of human behaviour and the ruthless politics of a cruel and unjust imprisonment. -- Arnold Zable, author of the award-winning Jewels and Ashes and Cafe Scheherazade
The systems of containment and control that the rich world applies to many thousands of migrants and refugees work by reducing people to a faceless presence to either be feared or pitied, but never listened to. In the face of this oppression, Behrouz Boochani's lyrical yet unsparing account is a vital act of resistance, and a unique examination of people pushed to life's extremes. -- Daniel Trilling, author of Lights in the Distance
Not for the faint-hearted, it's a powerful, devastating insight into a situation that's so often seen through a political - not personal - lens. * GQ *
This is a brilliant book. No Friend but the Mountains is a book that can rightly take its place on the shelf of world prison literature, alongside such diverse works as Oscar Wilde's De Profundis, Antonio Gramsci's Prison Notebooks, Ray Parkin's Into The Smother, Wole Soyinka's The Man Died, and Martin Luther King Jr's Letter from Birmingham Jail . . . It is a profound victory for a young poet who showed us all how much words can still matter. -- Richard Flanagan, Booker Prize winning author of The Narrow Road to the Deep North
Boochani has created a book that resists classification. It overlaps with genres such as prison literature, philosophical fiction, clandestine philosophical literature, prison narratives, Australian dissident writing, Iranian political art, transnational literature, decolonial writing and the Kurdish literary tradition. * Guardian *
A terrific book, extraordinary not only because of the near-impossible conditions in which it was written, but because it's gripping, raw, honest, brutal and also deeply humane, poetic, spirited and even at times humorous. It's a searing indictment of indefinite detention (something that still exists in the UK) and a reminder of what happens when we stop seeing migrants as human beings. -- Monica Ali, author of Brick Lane
The whole refugee situation and the books that are coming out of it are intensely interesting. The work of many Middle Eastern writers is astonishing. I'm currently reading this book called No Friend but the Mountains by Behrouz Boochani . . . a true account of what happened and the way he's forced into captivity. It's an endlessly fascinating, vital topic that we should look at. -- Philip Pullman, author of His Dark Materials
I was weeping within minutes. Bouchani has written a devastating and visceral account of modern displacement and its indignities. It is tangible, and sensory, and rooted in the human body--it stings to turn the page and yet it's impossible to stop. It should be taught in schools as a powerful and damning account of the most astonishing collective failure of our age. -- Dina Nayeri, author of The Ungrateful Refugee

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