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Motion Capture in Performance
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Table of Contents

Introduction 1. Infrastructure 2. Language 3. Space and the Frame 4. Tool Use and Time 5. Environmental Navigation Conclusion Links to Practical Examples Bibliography Notes Index

About the Author

Matt Delbridge lectures in Theatre Design and Technology at the University of Tasmania, Australia. He has worked for the State Orchestra of Victoria, Deakin Motion.Lab, Split Britches, and Barry Kosky's Gilgul Theatre Company.

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