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The Lost Art of Resurrection
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Table of Contents

A Scottish Faery Tale

1 A Noble Tradition Recently Suppressed

2 The Myth of Resurrection

3 What Is Initiation?

4 Early Followers of The Way

5 The Otherworld of the Celts

6 Secrets of the Beehive

7 Fifty Shades of Gnosticism

8 The Secret Bridal Chamber

9 What Happens in the Middle East Stays in Central America

10 Geezers of Nazareth

11 Inside the Great Pyramid and into the Otherworld

12 Egyptian Initiation

13 How to Travel to the Otherworld and Back. Or, the Pyramid Texts

14 Pharaoh Has Left the Building

15 Green Men, White Knights

16 The Science of the Otherworld

17 The Metamorphosis of the Soul

Notes

Bibliography

Index

About the Author

About the Author

Freddy Silva is a leading researcher of alternative history, ancient knowledge, sacred sites, and the interaction between temples and consciousness. He has appeared on Discovery Channel, BBC, and Coast to Coast AM radio. He is the author of 5 books and lives in Portland, Maine.

Reviews

“Freddy Silva’s latest book is his most brilliant, scintillating, and inviting of all, a superb book on global initiation over thousands of years. In it he explores how ancient sacred cultures guided people to experience psychic death while alive--a ritual near-death experience. The Lost Art of Resurrection is a truly remarkable contribution to the quest of reviving lost wisdom and a must-read for anyone interested in spirituality and sacred sites.”
*Barbara Hand Clow, author of Awakening the Planetary Mind*

“This is a breakthrough work that topples not only church dogma but a century of pyramidiots stumped by Egypt’s elusively empty sarcophagi. No mummy there! No, it’s all about the round-trip journey to the spirit world and what our ancestors were really doing in their secluded temples. Fabulously illustrated, this important book is as much about the cosmogony of the ancient wisdomkeepers as it is about the hidden chambers of the human mind.”
*Susan Martinez, Ph.D., author of The Mysterious Origins of Hybrid Man*

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