Table of Contents

Acknowledgements. Introduction . Part 1: Methods The context of Jungian film studies 2. Using Jung to analyse visual narratives: tools and concepts 3. Jungian psychology: signs and symbols Part 2: Applications 4. Combining different methodologies in visual narrative analysis 5. The auteur theory: a Jungian view 6. Film genres and archetypes 7. Jungian vs. Freudians: gender, identity and sexuality on screen 8. The body: phenomenology and cinema Bibliography List of names Index

About the Author

Helena Bassil-Morozow, PhD, is a cultural philosopher, media and film scholar, and academic writer whose many publications include Tim Burton: The Monster and the Crowd, The Trickster in Contemporary Film and The Trickster and the System: Identity and Agency in Contemporary Society (all Routledge).She is currently working on several other Routledge projects. She is a Lecturer in Media and Communication at Glasgow Caledonian University, UK. www.hbassilmorozow.com.

Luke Hockley, PhD, is Research Professor of Media Analysis at the University of Bedfordshire, UK. He is a practising psychotherapist and is registered with the United Kingdom Council for Psychotherapy (UKCP). Luke is joint Editor in Chief of the International Journal of Jungian Studies (IJJS) and a member of the Advisory Board for the journal Spring. His publications include Jung and Film 2, Somatic Cinema: The Relationship between Body and Screen – a Jungian Perspective and The Happiness Illusion: How the Media Sold Us a Fairy Tale (all Routledge). He lectures widely. www.lukehockley.com.