Promotional Information

T is for Tan. In 1949 four Chinese women, recent immigrants to San Francisco, begin meeting to eat dim sum, play mahjong, and talk. United in shared unspeakable loss and hope, they call themselves the Joy Luck Club.

About the Author

AMY TAN is the author of The Joy Luck Club, The Kitchen God's Wife, The Hundred Secret Senses, The Bonesetter's Daughter, and Saving Fish from Drowning, all New York Times bestsellers. She has published two children's books, The Moon Lady and The Chinese Siamese Cat and a memoir, The Opposite of Fate. She was the co- producer and co-screenwriter of the film version of The Joy Luck Club. Her essays and stories have appeared in numerous magazines and anthologies and her work has been translated into thirty-five languages.

JESSICA HISCHE is a letterer, illustrator, typographer, and web designer. She currently serves on the Type Directors Club board of directors, has been named a Forbes Magazine "30 under 30" in art and design as well as an ADC Young Gun and one of Print Magazine's "New Visual Artists". She has designed for Wes Anderson, McSweeney's, Tiffany & Co., Penguin Books and many others. She resides primarily in San Francisco, occasionally in Brooklyn.

Reviews

Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books

Winner of the 2014 Type Directors Club Communication Design Award

Praise for Joy Luck Club:

"Honest, moving, and beautifully courageous. Amy Tan shows us China, Chinese-American women and their families, and the mystery of the mother-daughter bond in ways that we have not experienced before."
-Alice Walker

"Tracing the poignant destinies of two generations of tough, intelligent women, each gorgeously written page welcomes the reader and leads to an enlightenment that, like all true wisdom, sometimes brings pleasure and sometimes sadness."
-Chicago Tribune

"Reading it really changed the way I thought about Asian-American history. Our heritage has a lot of difficult stuff in it - a lot of misogyny, a lot of fear and rage and death. It showed me a past that reached beyond borders and languages and cultures to bring together these disparate elements of who we are. I hadn't seen our history like that before. At that time, we hadn't seen a lot of Asian-American representations anywhere, so it was a big deal that it even existed. It made me feel validated and seen. That's what's so important about books like that. You feel like, Oh my god, I exist here. I exist in this landscape of literature and memoir. I'm here, and I have a story to tell, and it's among the canon of Asian-American stories that are feminist and that are true to our being. It's a book that has stayed with me and lived in me."
-Margaret Cho

Praise for Penguin Drop Caps:

"[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering."
-Fast Company

"Vibrant, minimalist new typographic covers.... Bonus points for the heartening gender balance of the initial selections."
-Maria Popova, Brain Pickings

"The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they're beautiful objects. Paul Buckley and Jessica Hische's fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen's A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte's B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf."
-Rex Bonomelli, The New York Times

"Drool-inducing."
-Flavorwire

"Classic reads in stunning covers-your book club will be dying."
-Redbook