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The Hunchback of Notre-Dame
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About the Author

Catherine Liu is an associate professor in the cultural studies and comparative literature department at the University of Minnesota. She is the author of Copying Machines: Taking Notes for the Automaton and a novel, Oriental Girls Desire Romance.

Elizabeth McCracken is the author of Niagara Falls All Over Again and The Giant’s House. She lives in Massachusetts.

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“What a beautiful thing Notre-Dame is!” —Gustave Flaubert

"What a beautiful thing Notre-Dame is!" -Gustave Flaubert

The Modern Library here offers a very reasonably priced yet high-quality edition of Hugo's classic.

Children who have had a taste of Hugo's 18th-century epic through the animated film may find this version, with its absence of song, rather sobering. Wynne-Jones (Some of the Kinder Planets) makes no attempt to soften the harsh story of the hideously deformed, big-hearted Quasimodo, who escapes ridicule only in the sanctuary of the cathedral. Although the narrative is fluent and conversational, children may need guidance through some of the more challenging vocabulary and occasional wordy passages. The irony in Hugo's novel is preserved here, as when Wynne-Jones draws a delicious parallel between church and state: Quasimodo is deaf because "the bells of the church had made him that way"; the judge who sentences the deformed man to a flogging "is as deaf as Quasimodo. The court had made him that way." Still, the deeper implications of the story will likely be lost on children. Dramatically framing the text are Slavin's (Extra! Extra! The Who, What, Where, When and Why of Newspapers) subtly hued, skillfully composed paintings. His mastery of detail, especially in period dress and architecture, makes turbulent medieval Paris appear real‘sometimes frighteningly so. This polished, thoughtful collaboration may serve as an authentic preview to Hugo's classic, but may be best appreciated with an adult standing by. Ages 5-8. (Sept.)

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