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The Eye of the Connoisser – Authenticating Paintings by Rembrandt and His Contemporaries
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About the Author

Anna Tummers is curator of old masters in the Frans Hals Museum in Haarlem, the Netherlands. She was coeditor of The Learned Eye: Regarding Art, Theory and the Artist's Reputation (Amsterdam University Press, 2005) and Art Market and Connoisseurship: A Closer Look at Paintings by Rembrandt, Rubens, and their Contemporaries (Amsterdam University Press, 2008).

Reviews

"An original and absorbing book on connoisseurship of seventeenth-century pictures, which, by contrasting the practice of today with the attitudes prevalent in the seventeenth century, does not so much provide answers as challenge our approach to the whole subject. . . . Everyone interested in connoisseurship of seventeenth-century paintings should read Anna Tummers's book."--Burlington Magazine

"By focusing primarily on Rembrandt and secondarily on Vermeer--two artists who have been at the epicenter of debates of authorship and authenticity--Anna Tummers . . . elucidates some very intricate arguments for the general reader. [...] Highly recommended."--Choice

"Tummers adds an important new voice to a discussion that may pay rich dividends for the next generation of connoisseurs.... Tummers should be commended for her careful attention to detail, her useful translations, and her thoughtful arguments."--Historians of Netherlandish Art

"Well-documented and richly illustrated, this volume addresses a neglected aspect of art history."--College & Research Library News

"Wonderfully written, thoroughly researched and annotated, and well-illustrated."--Maine Antique Digest

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