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Dingbat 2.0
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About the Author

Co-editor Thurman Grant is a Los Angeles based architect and educator (thurmangrant.com). He is a faculty member of the Interior Architecture Department at the Woodbury University School of Architecture, and through the university has taught in related programs in China and Italy. Grant has contributed to a long list of built residential, commercial, institutional and urban design projects, as well as award-winning design competitions in the U.S. and Asia. In 2011 he partnered with artist Olivia Booth on the installation Schindler Lab, Round One at the MAK Center for Art and Architecture at the Schindler House in West Hollywood, Los Angeles. Grant is a former president of the LA Forum Board of Directors and was a project leader for the Dingbat 2.0 competition and exhibition.

Co-editor Joshua G. Stein is the founder of Radical Craft (radical-craft.com), a Los Angeles-based studio that advances design saturated in history (from archaeology to craft) and inflects the production of contemporary urban spaces and artifacts, evolving newly grounded approaches to the challenges posed by virtuality, velocity, and globalization. He has taught at the California College of the Arts, Cornell University, SCI-Arc, and the Milwaukee Institute of Art & Design. He was a 2010-11 Rome Prize Fellow in Architecture, and is currently Professor of Architecture at Woodbury University. He is also a former member of the LA Forum Board of Directors and was a project leader for the Dingbat 2.0 competition and exhibition.

Reviews

The book successfully leverages the dingbat as a launchpad for surveying multi-family housing in Los Angeles, picking apart the prickly and multivalent nature of its creation myth and subsequent existence through the lenses of prior appreciation, scholarly interest, and post-war art production. [...] A sprawling examination of the economic, social, and technocratic instruments developers, architects, and occupants used to design, build, and enjoy one of L.A.'s most unsung contributions to architectural-historical patrimony. [...] The book's central matter, the field guide to dingbats, will change the way you see L.A. --Antonio Pacheco, The Architects Newspaper Dingbat 2.0 gives an often-maligned Los Angeles building type its long overdue moment in the sun, not only advancing a sophisticated typology of dingbats, but also reimagining the potential of the dingbat for the twenty-first century--at a moment when the imperative to create livable and modest affordable housing is more pressing than ever. -- Ken Bernstein, Principal City Planner, Los Angeles Department of City Planning and Office of Historic Resources This book is extremely valuable for designers, particularly when one considers that architects generate species of buildings. An in-depth study of this particularly indigenous species to Los Angeles allows architects to not only become familiar with the causes and effects of the dingbat, but also the many possibilities for its future morphologies. -- Jimenez Lai, founder and creator of Bureau Spectacular One of the many brilliances of this great book is the telling comparison of Le Corbusier's Villa Savoye--raised on its skinny pilotis to create an entirely ornamental void--and the dingbat--likewise lally column-upped in the air but usefully making room for cars beneath. Ever not quite modern, Corb pontificated about "machines for living" while never quite knowing what to do with their true enabler: the machine for leaving. The indelible dingbat is a sandwich of necessity and desire that bespeaks the throwaway (and getaway) modernity uniquely Made in L.A. -- Michael Sorkin, Architect, Urbanist and Author; Principal, Michael Sorkin Studio

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