Table of Contents

Chapter 1: Being: Introductions    Chapter 2: Becoming: Feminist Choreography and Dance Research    Chapter 3: Dancing Across the Page: Representing Research Through Narrative   Chapter 4: Dreaming Yourself Anew: Choreographic Strategies in Women’s Solo   Chapter 5: Knowing Differently, Living Creatively: Embodied Ways of Knowing    Chapter 6: Standing Strong: Pedagogical Approaches to Affirming Identity    Chapter 7: Improvising: Dance and Everyday Life    Chapter 8: Performing Identity: Tattoos, Dreadlocks and Feminism in Everyday Life    Chapter 9: Imaginings: Reaching for a Vision 

About the Author

Karen Barbour is senior lecturer in the School of Education at The University of Waikato, New Zealand. She is a member of several dance associations, including the World Dance Alliance - Asia Pacific (WDA-AP) and Congress on Research in Dance (CORD).