Table of Contents

Preface. Introduction: Analytical and Pictorial Imagery Part 1: Construction Logic 1. The Demystification of Linear Perspective 2. The Making of a Movie Part 2: Matters of History 3. The Non-linear Progression of Linear Perspective 4. The Extents (and Limits) of Architecture-Cinema Part 3: Indeterminate Projections 5. Architectural Drawings 6. Architectural Movies. Epilogue: The Reflexivity of Architecture and Projection. Notes and Credits. Index

About the Author

Thomas Forget is an assistant professor of architecture at the University of North Carolina at Charlotte, and founder of Ciotat Studio, New York.

Reviews

"Combining Alberti’s theory with examples of experimental film making is a brilliant way to continue the traditions of linear perspective construction in the digital age, and to establish greater rigor and knowledge in the application of movement and time to architectural representations."Brian McGrath, associate professor, Parsons The New School for Design, New York, USA