Number 1 New York Times bestselling author Elizabeth Gilbert's attempt to make peace with marriage. Eat, Pray, Love has sold more than seven million copies in forty-one countries and the film, starring Julia Roberts and Javier Bardem (and produced by Brad Pitt), will be released in 2010. A book that every woman (and most men) will need to read - whether single, married or divorced.
Elizabeth Gilbert is an award-winning writer of both fiction and non-fiction. Her short story collection Pilgrims was a finalist for the PEN/Hemingway award, and her novel Stern Men was a New York Times notable book. In 2002, she published The Last American Man, which was a finalist for both the National Book Award and the National Book Critics' Circle Award. She is best known for her 2006 memoir Eat, Pray, Love, which was published in over thirty languages and sold more than seven million copies worldwide. The film, released in 2010, stars Julia Roberts and Javier Bardem. Elizabeth Gilbert lives in New Jersey, USA.
'A writer of incandescent talent.' Annie Proulx Praise for Eat, Pray, Love: 'A word-of-mouth bestseller. As funny as it is wise' Elle 'It's what i'm giving all my girl friends' Julia Roberts 'Utterly of the moment: it manages, effortlessly, to be both spiritual and sexy all in the same tumultous breath' Guardian
'A writer of incandescent talent.' Annie Proulx Praise for Eat, Pray, Love: 'A word-of-mouth bestseller. As funny as it is wise' Elle 'It's what i'm giving all my girl friends' Julia Roberts 'Utterly of the moment: it manages, effortlessly, to be both spiritual and sexy all in the same tumultous breath' Guardian
Gilbert's sequel to the megabestselling Eat, Pray, Love is a serious, sincere, yet ultimately tedious slog of a listen. Debating whether or not to marry her boyfriend, the author embarks on a one-year study of marriage's evolution, cultural variations, pitfalls, and pleasures. It's earnest and heartfelt, but there's no story. Gilbert's encapsulations of her research cannot sustain the reader's interest, and her forays into amateur anthropology in Southeast Asia are crude and uncharitable: she vacillates between tropes of the happy savage and crowing that the Hmong women she interviews will never know her level of education, health, and agency. But these considerable flaws belong to the material alone; Gilbert's reading is unimpeachable. Her voice is low, warm, slightly hoarse; her attitude is confiding and self-deprecating, and her charm does much in making the book's less palatable sections go down easily. A Viking hardcover (Reviews, Nov. 23). (Jan.) Copyright 2010 Reed Business Information.
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