'Clarisse's journey through life is by turns joyful, daunting,
often bewildering. Her story - and that of the men and women whose
lives touch hers - is told through a series of encounters, each
prefaced by a poetic meditation. Indeed, the whole novel is a kind
of meditation - on politics, feminism, sex and death. Running
though it like a strand of silk, both binding Clarisse to the earth
and letting her float free, are her thoughts about the nature and
practice of Catholicism. An intriguing read, raising many questions
about the role of women over the past half century'
Joceline Bury, journalist. Review of Clarisse by academic Verina
Jones:
'There is a powerful allusion here to one of the fundamental
archetypes of the European novel, but with several twists. Clarisse
might be an "honest woman" (almost) like Richardson's "redeeming
virgin", but she is Clarisse not Clarissa, indeed "Clarisse in
Potignac". Clarisse might be in Potignac but she is not really
French, or really English for that matter. She is in a sense
Italian, at least in part. Clarisse's great-grandmother, whose
story she is writing "in the form of a novel", was of Italian
descent. Her name was Raiza, a transparent anagram of Zaira, who is
the protagonist of another novel by Patricia Borlenghi.
Watch out for this and other refined narrative ruses in a novel
which races through like a thriller while engaging with the great
issues of life.'
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