About the Author

Diablo Cody is a freelance journalist and is currently the associate arts editor for City Pages, Minneapolis’ alternative weekly. Her now defunct website, “The Pussy Ranch,” scored over one million page views in its seventeen-month run, garnering acclaim from The Village Voice, among others. Her first screenplay, "Juno," is being produced by Mandate Pictures, and she has two other screenplays in development with Warner Brothers.

Reviews

Good, frothy fun. . . . For those of us who have stared, transfixed, from a distance, wondering how the air is up there, Candy Girl is a bracing lungful. (Los Angeles Times)

Diablo Cody is to stripping what Chuck Klosterman is to pop culture and Sarah Vowell is to American history. . . . Candy Girl is fiendishly funny, muscle-car fast, and frighteningly—and I do mean frighteningly—accurate. (Lily Burana, author of Strip City: A Stripper’s Farewell Journey Across America)

[Cody is] a quick, erudite, and funny writer. . . . One hell of a good story. (Time Out Chicago)

Flat-out funny and refreshingly devoid of moral conclusions. (Star Tribune, Minneapolis)

Why, you might ask, would a healthy, college-educated young woman start stripping for a living, when she could work in a nice, clean office? Cody, now an arts editor for Minneapolis's alternative weekly, had spent her whole life (all 24 years) "choking on normalcy, decency and Jif sandwiches with the crusts amputated." When she moved from Chicago to Minnesota to live with the new boyfriend she'd found on the "World Wide Waste of Time," she took a job at an ad agency-a setup with good "porn shui" (desk well angled for undetected online porn surfing) but not much else. Attracted by a local bar's amateur stripping contest, Cody soon moved from stage stripping to lap dancing, from tableside to bedside customer service and, finally, peep-show sex. Removing her clothes and dry-humping strangers in sex clubs had become her way of escaping premature respectability. Quite inexplicably, her boyfriend was completely cool with her new occupation, even joining her on occasional sex jaunts. When the inevitable burnout set in, Cody switched to phone sex, until that, too, got old, and the 9-to-5 straight world beckoned. Cody's so alarmingly entertaining, readers will wish the book were longer, though they'll be glad it ends before anything really ugly happens. Agent, Paula Balzer. (Jan.) Copyright 2005 Reed Business Information.

Good, frothy fun. . . . For those of us who have stared, transfixed, from a distance, wondering how the air is up there, Candy Girl is a bracing lungful. (Los Angeles Times)

Diablo Cody is to stripping what Chuck Klosterman is to pop culture and Sarah Vowell is to American history. . . . Candy Girl is fiendishly funny, muscle-car fast, and frighteningly and I do mean frighteningly accurate. (Lily Burana, author of Strip City: A Stripper's Farewell Journey Across America)

[Cody is] a quick, erudite, and funny writer. . . . One hell of a good story. (Time Out Chicago)

Flat-out funny and refreshingly devoid of moral conclusions. (Star Tribune, Minneapolis)