About the Author

Robert Coover has published fourteen novels, three short story collections, and a collection of plays since The Origin of the Brunists received the The William Faulkner Foundation First Novel Award in 1966. At Brown University, where he has taught for over thirty years, he established the International Writers Project, a program that provides an annual fellowship and safe haven to endangered international writers who face harassment, imprisonment, and suppression of their work in their home countries. In 1990-91, he launched the world's first hypertext fiction workshop, was one of the founders in 1999 of the Electronic Literature Organization, and in 2002 created CaveWriting, the first writing workshop in immersive virtual reality. Michiko Kakutani of The New York Times has said Of all the postmodern writers, Robert Coover is probably the funniest and most malicious, mixing up broad social and political satire with vaudeville turns, lewd pratfalls, and clever word plays that make us rethink both the mechanics of the world and our relationship to it. Coover has also received awards from the Lannan Foundation, American Academy of Arts and Letters, National Endowment of the Arts, and the Rea Lifetime Short Story Award.

Reviews

Praise for The Brunist Day of Wrath: The Coover of the 21st century writes with considerably more flair than his 1960s counterpart. --The New York Times The Brunist Day of Wrath is the best, most impressive novel I've read in years. --The Wall Street Journal Open the book anywhere and find another vivid portrait of a cultist or resident, woven into the subplot of a previously introduced character, inching forward. Questions of religion, faith, humanity and society are raised. Challenging and impressive, a virtuoso work... --Publishers Weekly What is really so lovely about the Brunist books is that, in spite of Coover's signature distance in his writing, the extraordinary breadth and depth of detail, the pitch perfect naturalism, the rigorous adherence to narrative structure, the endless development of characters and voices, all firmly establish the doubt, in the face of overwhelming Writerly evidence, that Myth and Tale have in fact stolen the show. --James Tierney, Golden Handcuffs Review Thus Coover's second epic telling of the many stories of the Brunists and West Condon shows that stories can be, all at once, nutty apocalyptic imaginings, sprawling gigantic entertainments, terribly powerful lies, and redemptive and compassionate bridges between disparate selves. And, really, wicked fun. --The Rumpus There is no such thing as the Great American Novel, but this surely is one of them in its scope, sharp-eyed compassion and stripping away of hypocritical posturing. It is massive, mesmerizing, and riveting page by fulsome page, a triumph for Coover and a venomous, virulent, heartfelt vision for all of us. --Providence Journal Many of Coover's postmodernist contemporaries address similar narrative concerns, but few are so legitimately funny. His off the wall dialogue and deadpan character sketches will provoke laughter at the most apparently inappropriate situations. Whatever the key to this brand of dark, off-the-wall humour, Coover has it. He had it in 1966, and he still has it now. --TN2 Praise for Robert Coover: Coover is still a brilliant mythmaker, a potty-mouthed Svengali, and an evil technician of metaphors. He is among our language's most important inventors. --Ben Marcus, author of The Flame Alphabet Of all the postmodern writers, Robert Coover is probably the funniest and most malicious, mixing up broad social and political satire with vaudeville turns, lewd pratfalls, and clever word plays that make us rethink both the mechanics of the world and our relationship to it. --Michiko Kakutani Coover seems seriously concerned about an animal (his own kind) strung out for life between creation and destruction, two longings which twist and marry however we try to untangle them. --Ann Gottlieb, The Village Voice Robert Coover is one of our masters now. The tumultuous, Babylonian exuberance of his mind is fueled and directed by his equally passionate craftsmanship. He seems to be able to do anything. --Robert Kelly, The New York Times Book Review