Maya Lin has worked on art and architectural projects throughout the United States. Since setting up her studio in 1987, Lin has created both public and private artworks, including the Vietnam Veterans Memorial (1982) in Washington, D.C.; the Civil Rights Memorial (1989) in Montgomery, Alabama; and the Langston Hughes Library (1999) in Clinton, Tennessee, among others. Her work has been highly acclaimed; a documentary about her work, Maya Lin: A Strong Clear Vision, won an Academy Award for Best Documentary in 1995. Born in Athens, Ohio, and educated at Yale University, she lives with her family in New York City.
"Her first book, Boundaries, unfolds as an intimate pictorial
memoir of Lin's journey in realizing her primary passion:
'sculpting the earth.'" -- Harper's Bazaar
"Is Lin an artist or an architect? Given her ability to maintain
her aesthetic integrity in a string of projects that have won over
both critics and the public, magician is more like it." --
Newsweek
"Like everything connected with Lin, Boundaries is beautifully
designed and beautifully written." -- The Boston Globe
"Some people perceive the world visually, like architects and
sculptors. And others see the world through the prism of language,
like writers. Maya Lin can do both. . . . A writer both concise and
graceful on such abstract topics as art, vision, and design, Lin
offers unique insights into how artists create." -- USA Today
"This lovely book succeeds in two worlds: Lin wants you to read it
and yet see it as an art book. . . . Every page in her book is
serene, thought-provoking, striking." -- The Arizona Republic
"Her first book, Boundaries, unfolds as an intimate
pictorial memoir of Lin's journey in realizing her primary passion:
'sculpting the earth.'" -- Harper's Bazaar
"Is Lin an artist or an architect? Given her ability to maintain
her aesthetic integrity in a string of projects that have won over
both critics and the public, magician is more like it." --
Newsweek
"Like everything connected with Lin, Boundaries is
beautifully designed and beautifully written." -- The Boston
Globe
"Some people perceive the world visually, like architects and
sculptors. And others see the world through the prism of language,
like writers. Maya Lin can do both. . . . A writer both concise and
graceful on such abstract topics as art, vision, and design, Lin
offers unique insights into how artists create." -- USA
Today
"This lovely book succeeds in two worlds: Lin wants you to read it
and yet see it as an art book. . . . Every page in her book is
serene, thought-provoking, striking." -- The Arizona
Republic
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