Ross Gay is the author of The Book of Delights, a genre-defying book of essays, and three books of poetry: Against Which, Bringing the Shovel Down, and Catalog of Unabashed Gratitude. He is also the co-author, with Aimee Nezhukumatathil, of the chapbook "Lace and Pyrite: Letters from Two Gardens," in addition to being co-author, with Richard Wehrenberg, Jr., of the chapbook, "River." He is a founding editor, with Karissa Chen and Patrick Rosal, of the online sports magazine Some Call it Ballin', in addition to being an editor with the chapbook presses Q Avenue and Ledge Mule Press. Ross is a founding board member of the Bloomington Community Orchard, a non-profit, free-fruit-for-all food justice and joy project. He has received fellowships from Cave Canem, the Bread Loaf Writer's Conference, and the Guggenheim Foundation. Ross teaches at Indiana University.
The delights he extols here (music, laughter, generosity, poetry, lots of nature) are bulwarks against casual cruelties. As such they feel purposeful and imperative as well as contagious in their joy - The New York Times Book ReviewThese charming, digressive 'essayettes,' in the manner of Montaigne, surprise and challenge . . . Gay, an award-winning poet, knows the value of formal constraint: his experiences of 'delight,' recorded daily for a year, vary widely but yield revealing patterns through insights about everything from nature and the body to race and masculinity. The fruits of this experiment-for which gardens and gardening provide a frequent, apt metaphor-attest to an imagination cultivated in hostile conditions. Gay's optimism is as easy as it is improbable, his 'heart cooing like a pigeon nestled on a windowsill where the spikes rusted off. - New YorkerRoss Gay's poems are little celebrations of joy, and this book of mini-essays - each centering around a particular 'delight,' from sleeping in your clothes to planting tomato seedlings to the nod of greeting between the only two black people in a room - is a pure balm for your soul. Savor one at a time every morning, this summer, or wolf them all down en masse on a gorgeous sunny day.The shock of Gay's writing . . . is his seamless shift from breezy, affable observation to sober (and admittedly still affable) profundity . . . I want to say that Gay's writing is magical because that's the way it feels when I read it. But . . . calling it magic undercuts Gay's craft, the effort that goes into producing literature that feels as fluent and familiar as a chat with a close friend. His voice has integrity, in both senses of the word: a completeness or consistency, true to itself; and an honesty and compassion so frankly subjective that it produces an incorruptible vision. Gay's loose-limbed sentences diagram his delight, partaking in numerous asides - some as paragraph-long parentheticals - and equally numerous asides within asides, as well as nested subordinate clauses that are the purview of intimate conversation, not written prose. They are clauses and asides in which, as Gay writes them, you feel his hand on your arm, you feel him lean in toward you, conspiratorially or simply to emphasize his meaning - The New York Review of BooksEveryone could use a bit more delight in their days . . . Gay, who is the winner of the NBCC Award for Poetry, is here to provide just that, with essays celebrating everything from air quotes to candy wrappers to pickup basketball games - New York Post