A number one bestseller from the award-winning master of the literary and historical thriller genre: Robert Harris. A gripping, thrilling explosion into Russia's mysterious history...
Robert Harris is one of Britain's most famous writers of thriller novels and gripping historical fiction. He is the author of eight bestselling historical and contemporary thrillers: Archangel, Enigma, Fatherland, The Fear Index, The Ghost, Imperium, Lustrum and Pompeii, all of which were worldwide bestsellers. Harris has been shortlisted for three notable literary awards: the Walter Scott prize for historical fiction, the Whitbread first novel award (now known as the Costa Book award) and the British Book Awards Popular Fiction Award. His most recent bestselling thriller, The Fear Index, was shortlisted for the Ian Fleming Steel Dagger, for best thriller of the year, at the 2012 Specsavers Crime Thriller Awards. Robert Harris has worked with international film director Roman Polanski to create the Golden Globe winning film The Ghost Writer, starring Pierce Brosnan and Ewan McGregor. Enigma was adapted into an award-winning film starring Kate Winslet and Tom Hollander. His work has been translated into thirty-three languages. He was born in Nottingham in 1957 and is a graduate of Cambridge University. He worked as a reporter on the BBC's Newsnight and Panorama programmes, before becoming Political Editor of the Observer in 1987, and then a columnist on the Sunday Times and the Daily Telegraph. In 2003 he was named Columnist of the Year in the British Press Awards. He lives near Hungerford in Berkshire with his wife and their four children.
Were Stalin's private papers stolen upon his death? The author of Fatherland keeps rewriting history.
"The best thriller for years" * Sunday Telegraph *
"His best yet: a fast paced thriller, pulsing with suspense, that surpasses even the expertly handled tensions and twists of Fatherland" * Sunday Times *
"Robert Harris confirms his position as Britain's pre-eminent literary thriller writer with Archangel" * The Times *
"A really gripping narrative, full of suspense and unexpected turns, which will keep you hooked until the climax on its final page... I have never read a thriller based in Russia which has such an authentic feel" * Evening Standard *
"Archangel is Harris's strongest book yet, confirming him as the leading current exponent of the intelligent literary thriller" * The Times *
As in his first thriller, Fatherland, Harris again plunders the past to tell an icy-slick story set mostly in the present. Readers are plunged into mystery, danger and the affairs of great men at once, as, outside Moscow in 1953, Stalin suffers a fatal stroke, and the notorious Beria, head of Stalin's secret police, orders a young guard to swipe a key from the dictator's body, to stand watch as Beria uses it to steal a notebook from Stalin's safe and then to help bury the notebook deep in the ground. These events unfold not in flashback proper but as told to American Sovietologist C.R.A. "Fluke" Kelso by the guard, now an old drunk. Following a lead from the old man's story as well as other clues, Kelso, soon accompanied by an American satellite-TV journalist, goes in pursuit of the notebook and, later, the explosive secret it contains; others, including those who cherish the days of Stalin's might, are on the chase as well. With this hunt as backbone, the plot fleshes out in muscular fashion, fed by assorted conspiratorial interests and a welter of colorful, if sometimes too obvious (Stalin as madman; Beria as sadist), characters. The crumbling ruin that is today's Moscow comes alive in the details, which continue as Kelso's search moves north into the frozen desolation of the White Sea port of Archangel. Sex, violence and violent sex all play a part in Harris's entertaining, well-constructed, intelligently lurid tale, which, along with his first two novels, places him squarely in the footsteps not of "Conrad, Green and le Carré," as the publisher would have it, but of Frederick Forsyth. And, like Forsyth, Harris has yet to write a novel without bestseller stamped on it‘including this one. Simultaneous audio book; optioned for film by Mel Gibson. (Feb.)