Introduction 1
About This Book 1
Conventions Used in This Book 2
What You’re Not to Read 2
Foolish Assumptions 2
How This Book Is Organized 3
Part I: The ABCs of Writing for Children 3
Part II: Immersing Yourself in the Writing Process 3
Part III: Creating a Spellbinding Story 3
Part IV: Making Your Story Sparkle 3
Part V: Getting Published and Promoting Your Book 4
Part VI: The Part of Tens 4
Icons Used in This Book 4
Where to Go from Here 4
Part I: The ABCs of Writing for Children 5
Chapter 1: Exploring the Basics of Writing Children’s Books 7
Knowing Your Format and Audience 8
Getting into a Good Writing Zone 8
Transforming Yourself into a Storyteller 9
Polishing Your Gem and Getting It Ready to Send 9
Selling Your Story 10
Promoting Your Book 11
Chapter 2: Delving into Children’s Book Formats and Genres 13
Understanding Children’s Book Categories and Formats 13
Baby and Toddler Friendly: Books with Pictures 16
Board books 16
Picture books 18
Other books with pictures 21
Working through Books with Lots of Words 27
Early readers 27
First chapter books 29
Middle-grade books 30
Young adult books 32
Exploring the Genres 36
Science fiction 37
Fantasy 37
Horror and ghost stories 39
Action/adventure 39
True stories 39
Historical fiction 40
Biography 41
Learning/educational 42
Religion and diversity 43
Gender-oriented series books 43
Licensed character series books and books into brands 45
Chapter 3: Understanding the Children’s Book Market 49
Getting Insight into Book Buyers 52
For chain and big-box bookstores 52
For independent bookstores 53
Recognizing What Reviewers Offer 56
Discovering What Librarians Add to the Mix 56
Taking a Look at Teachers 60
Considering Parents’ Perspectives 62
Thinking Like a Kid 63
Going after what kids like — regardless of Mom and Dad 63
Knowing what kids don’t like 64
Part II: Immersing Yourself in the Writing Process 65
Chapter 4: Setting Up Your Workspace 67
Finding Time to Write 67
Figuring out when you’re most productive 67
Sticking to a writing schedule 68
Evaluating whether you’re a one-shot wonder or a committed writer 69
Optimizing Your Writing Environment 69
Locating your special writing spot 69
Getting organized 70
Preventing and dealing with interruptions 71
Chapter 5: Starting with a Great Idea 73
Once Upon a Time: Coming Up with an Idea 73
Relying on specific ideas rather than big ones 74
Tapping into your own experiences 75
Drawing from other children’s experiences 77
Pulling ideas from the world around you 78
Stumped? Break through with Brainstorming 78
Going it all by yourself 79
Giving free association a whirl 80
Taking up free-form or structured journaling 80
Buddying up to the buddy system 82
Asking the advice of a writing teacher or classmates 83
Seeking help from your audience 84
Heading back to school 86
Fighting Writer’s Block 86
Chapter 6: Researching Your Audience and Subject 89
Hanging Out with Kids 90
Go back to school 90
Become a storyteller 92
Borrow a friend’s child for a day 94
Dipping into Popular Culture 96
Watching kids’ TV shows and movies 96
Playing kid-focused digital games 97
Reading parenting and family magazines and blogs 98
Flipping through pop culture magazines 98
Surfing the Web 99
Browsing bookstores 100
Visiting children’s stores online or in person 101
Studying kids’ fashion trends 101
Researching Your Nonfiction Topic 102
Outlining the research process 102
Get around locally 103
Go far afield 104
Visit the Web — a lot 105
Have an expert look over your work 105
Part III: Creating a Spellbinding Story 107
Chapter 7: Creating Compelling Characters 109
The Secret Formula for an Exceptional Main Character 110
Defining your main character’s driving desire 110
Fleshing out your main character to show readers her driving desire 111
Getting to Know Your Characters through Dialogue 112
Making a Character Bible 114
Surveying a sample character bible 116
Creating consistency 118
Writing Stories with Two or More Main Characters 119
Choosing Supporting Characters 120
Calling All Character Arcs 122
Character Don’ts — and How to Avoid Them 124
Steer clear of stereotypes 124
Show your character in action 126
Toss out passivity and indefinites 127
Don’t rely on backstory or flashbacks 128
Developing Characters through Writing Exercises 129
Describe your first best friend 129
Borrow your favorite children’s book characters 130
Chapter 8: The Plot Thickens: Conflict, Climax, and Resolution 131
Remembering That It’s All about Action 132
Centering on the Story 133
Making Sure You Have a Beginning, Middle, and End 134
Using Drama and Pacing to Propel Your Story Forward 134
Drama: A reason to turn the page 135
Pacing: How you keep the pages turning 135
Outlining Tools to Structure Your Plot 136
Creating a step sheet 137
Fleshing out your outline 138
Knowing when to circumvent an outline 141
Preventing Plot Problems 141
Writing Your First Draft 142
Chapter 9: Can We Talk? Writing Dialogue 143
The Fundamentals of Good Dialogue 144
Dialogue has a function 144
Dialogue has drama 146
Listening to Real-World Dialogue 147
How kids talk 147
How grown-ups talk 149
Adding a Speech Section to Your Character Bible 149
Reading It Out Loud 150
Divulging Common Dialogue Mistakes 151
Failing to have conflict or tension 151
Repeating information 152
Describing dialogue 152
Using too many speaker references and attributions 153
Creating heavy-handed and unrealistic dialogue 154
Filling space with unnecessary dialogue 154
Improving Dialogue by Using Writing Exercises 155
Talking on paper 155
Introducing your first best friend to the love of your life 156
Chapter 10: Setting the Scene 157
Giving Context to Your Story and Its Characters with Scenery 157
Creating a Context Bible 158
Knowing When to Include Scenery and Context 159
When place figures prominently 160
When the place isn’t just incidental 161
When description of place doesn’t interrupt flow of action 162
When description of context adds something measurable 162
When you must mention an exotic locale 163
When beginning a novel and a specific place is mentioned 163
In a new scene where place is used to transition 164
Providing the Right Amount of Setting 164
Engaging Your Readers’ Senses 165
Knowing When Not to Make a Scene 166
Exercising Your Nose with a Smellography 167
Chapter 11: Finding Your Voice: Point of View and Tone 169
Building a Solid Point of View 170
Reviewing POV options 170
Picking your POV 171
Matching tense with POV 173
Having Fun with Words through Wordplay, Rhyming, and Rhythm 174
Engaging in wordplay 174
Taking different approaches to rhyming 176
Keeping your story moving with rhythm 177
Using Humor to Your Advantage 178
Figuring out what kids consider funny 179
Turning to the outrageous and the gross 182
The Mojo of Good Writing: Voice, Style, and Tone 182
Finding your story’s voice 184
Writing with style 185
Taking the right tone 185
You Know You Need a Voice Makeover When 186
you have more than one POV in a scene 186
you experience the anxiety of influence 186
you find your omniscient narrator battling one (or more) star 187
your story sounds monotonal 187
Helping Your Voice Emerge by Playing Pretend 187
Pretending to be someone else 188
Pretending you swallowed a magic potion that makes you only three feet tall 188
Chapter 12: Writing Creative Nonfiction Books 189
The Nonfiction Children’s Book World at a Glance 189
Writing a Nonfiction Masterpiece 191
Choosing a Great Topic 193
Looking at topics that get kids’ attention 193
Finding topics that interest you 194
Branching out into the real world 195
Testing your topic 196
Outlining Your Creative Nonfiction 197
Starting simple 198
Fleshing out your ideas 199
Enhancing your outline with visual aids 200
Presenting Common Creative Nonfiction Mistakes (And Fixes) 201
Writing Exercises for Creative Nonfiction 201
Pretend you’re a newspaper reporter 201
Create a funny five-step procedure to wash a dog 202
Part IV: Making Your Story Sparkle 205
Chapter 13: Editing and Formatting Your Way to a Happy Ending 207
Your Revising Checklist 208
Theme 208
Characters 209
Plot 209
Pacing and drama 210
Setting and context 211
Point of view 211
Recognizing the Power of a Good Edit 212
Editing Out Common Writing Traps 213
Strengthening your opening 214
Keeping your dialogue tight and on target 214
Transitioning effectively 215
Trimming wordiness 216
Keeping your chronologies in order 217
Removing assumptions 217
Formatting: First Impressions Matter 218
Including the proper information on the first page 218
Following children’s book formatting conventions 220
Presenting Your Pre-Submission Basic Grammar and Style Primer 221
Punctuation 222
Style 223
Miscellaneous 224
Hiring an Editor or Editorial Service 226
Finding a good editor or editorial service 227
Asking the right questions 229
Digital versus hardcopy edit 230
Chapter 14: Creating Pictures from Your Words: The World of Illustrations 233
To Illustrate or Not to Illustrate 233
Recognizing Why You Should NOT Hire an Illustrator 234
Walking through the Illustration Process 236
Starting with black-and-white pencil sketches 236
Moving on to finished pencils 237
Creating color art 239
Recognizing the importance of the right cover 239
Getting Your Art Seen by the Right Folks 241
Handling Art When You’re Self-Publishing 244
Chapter 15: Finding Feedback and Encouragement 249
Recognizing When to Seek Feedback 250
Getting Help from Friends and Relatives (or Not) 252
Delving into the pros and cons of friendly advice 253
Having a friend in the business 253
Attending Conferences or Retreats 254
Exploring the conference scene 254
Getting away with retreats 256
Participating in a Workshop 257
Working with a Writing (or Illustrating) Group 258
Finding the right group 259
Starting your own group 260
Sifting through the feedback you receive 261
Part V: Getting Published and Promoting Your Book 265
Chapter 16: Getting an Agent to Represent You 267
Defining the Perfect Agent — and His Not-So-Perfect Counterpart 267
Recognizing what good agents can do 268
Watching out for bad agents 269
Finding an Agent 270
Obtaining referrals 270
Researching your heart out 271
Attending conferences 272
Submitting Your Ideas to an Agency 272
Following submission guidelines 273
Standing out from the pack 274
Perfecting the query letter 274
Managing multiple submissions 277
Asking the Right Questions before Signing an Agency Contract 277
Understanding Typical Agency Agreements 278
Sizing up the standard terms and conditions 278
Distinguishing between exclusive and by-project services 280
Negotiating like a pro 281
Terminating Your Agency Relationship 282
Chapter 17: Finding the Perfect Publisher and Signing a Contract 283
Identifying the Right Publisher 283
Gathering information from the marketplace 285
Perusing writer’s guides and directories 285
Drafting Query Letters and Proposals 286
Copyright: Protecting Your Work Before You Send Anything 289
Success! Reviewing Your Publishing Contract 291
Surveying the two types of publishing agreements 291
Getting what you want in the contract 292
Dealing with Rejection 296
Chapter 18: So You Want to Self-Publish? 299
The Good and Bad News about Self-Publishing 300
Exploring Your Self-Publishing Options 302
The print route 303
The digital route 306
Setting a Price for Your Work 308
Distributing Your Book 309
Working with distributors 309
Getting in the door at traditional bookstores 310
Persuading online booksellers 311
Considering other places to sell your book 312
Chapter 19: Donning Your Publicity Cap 313
Understanding What Your Publisher Will Do to Promote Your Book 313
Publicizing Your Own Book 314
Focusing on the digital components 314
Touching on the traditional components 318
Promoting Your Work in Person 319
Planning a publicity tour 321
Joining the signing and reading circuit 322
Hiring a Publicist 322
Discovering what a publicist can do 322
Finding the right publicist 323
Getting the most for your money 325
Chapter 20: Getting Savvy with Social Media 327
Influencing the Influencers 327
The basics of influencing others 328
Understanding the different kinds of online influencers 329
Figuring out where online your influencers live 330
Knowing Where to Create a Social Media Presence 330
Blogs 330
Facebook 331
Twitter 331
YouTube 332
Pinterest 332
JacketFlap 333
Launching a Social Media Campaign 333
Reviewing the ABCs of a social media campaign 333
Surveying the unwritten rules of social media marketing 334
Applying search engine optimization 336
Measuring the Effectiveness of Your Campaign 336
Part VI: The Part of Tens 341
Chapter 21: More Than Ten Great Sources for Storylines 343
Tales of Yore 344
Fairy tales 344
Fables 345
Folk tales 345
Mythology and Mythological Heroes 346
Nursery Rhymes 346
Bible Stories 346
Sibling Issues 347
Family Changes 347
First Experiences 347
Common Childhood Fantasies 348
Friendship and Social Issues 348
Growing Pains (Emotional and Behavioral) 348
Bodies: Their Functions and Changes 349
History Makers and History in the Making 349
Nature, Science, Technology 349
Chapter 22: Ten Recognitions Children’s Authors Dream of Receiving 351
Newbery Medal 351
Caldecott Medal 351
Coretta Scott King Book Award 351
Printz Award 351
Belpré Medal 352
Geisel Award 352
Stonewall Book Award 352
Sibert Medal 352
ALA Quick Pick 352
Texas Bluebonnet Award 352
Index 353
Lisa Rojany Buccieri has written and ghostwritten more than 100 children's and grown-up's books, both fiction and nonfiction, including board books, picture books, and young adult series. Peter Economy is a bestselling author, coauthor, and ghostwriter of more than 55 books, including several For Dummies titles.
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