Hilton Als became a staff writer at The New Yorker in October,
1994, and a theatre critic in 2002. He began contributing to the
magazine in 1989, writing pieces for The Talk of the Town.
Als was a staff writer for The Village Voice and an editor-at-large
at Vibe. He has also written articles for The Nation and
collaborated on film scripts for Swoon” and Looking for
Langston.”
Als edited the catalog for the Whitney Museum of American Art
exhibition entitled Black Male: Representations of Masculinity in
Contemporary American Art,” which ran from November, 1994, to
March, 1995. His first book, The Women, a meditation on gender,
race, and personal identity, was published in 1996.
In 1997, the New York Association of Black Journalists awarded Als
first prize in both Magazine Critique/Review and Magazine Arts and
Entertainment. He was awarded a Guggenheim for Creative Writing in
2000 and the George Jean Nathan Award for Dramatic Criticism for
2002-03. In 2009, Als worked with the performer Justin Bond on
Cold Water,” an exhibition of paintings, drawings, and videos by
performers, at La MaMa Gallery. In 2010, he co-curated
Self-Consciousness,” at the Veneklasen Werner Gallery in
Berlin.
Als has taught at Yale University, Wesleyan, and Smith College. He
lives in New York City.
One of the A.V. Club's Favorite Books of the Year! Official
selection of the Unofficial Official Hairpin 3.0 Book Club Named
one of Kirkus' Best Books of 2013 I read Als not only because he is
utterly extraordinary, which he is, but for the reason one is often
drawn to the best writers--because one has a sense that one's life
might depend on them. White Girls is a book, a dream, an enemy, a
friend, and, yes, the read of the year.
--Junot D�az Hilton Als's White Girls gave me a gift very few books
do: of hearing a voice that's new, that comes as if from a
different room. A nonsensical thing to say in one sense: he's been
writing brilliantly and visibly for almost 20 years. But there's
something about the work in this book. It's a leap forward not
merely for Als as a writer but for the peculiar American genre of
culture-crit-as-autobiography. Its bravery lies in a set refusal to
allow itself all sorts of illusions--about race, about sex, about
American art--and the subtlety of its thinking is wedded
maypole-fashion to a real confessional lyricism. had a lot of black
gay man in us, Als taught me that I have a lot of white girl in me,
too, and so does he. And so do you, is where it gets interesting.
If you think that sounds like another blurb-job or post-postmodern
twaddle, I defy you to read this book and come away with a mind
unchanged. --John Jeremiah Sullivan, author of Pulphead Effortless,
honest and fearless--Rich Benjamin, The New York Times A
comprehensive and utterly lovely collection of one of the best
writers around. --Boston Globe This is a book that readers will
want to spend the rest of their lives with. --Library Journal
(Starred review) Als' work is so much more than simply writing
about being black or gay or smart. It's about being human. --Kirkus
(Starred review) Hilton Als's White Girls (McSweeney's)--has
reached out and grabbed me by my lapels.
--Library Journal (Starred review) Mesmerizing... [Als] proves to
be a compassionate writer looking for unity--even if it can't
always be found --Publishers Weekly (Starred review) Als is
pyrotechnic, lifting off the page in a blast of stinging light and
concussive booms that somehow coalesce into profound cultural and
psychological illuminations. --Booklist Incisive cultural
criticism.--Roxane Gay, The Nation Als has created a work of
art.--Christopher Bollen, Interview Magazine [E]verything Als is
saying is a vivid, bright truth--Lambda Literary Brilliant.--NY
Journal of Books brilliant lunacy--Bookforum Als is one of the most
consistently unpredictable and surprising essayists out there, an
author who confounds our expectations virtually every time he
writes. --Los Angeles Times Nothing short of masterful. --HTML
Giant Captivating. --Entertainment Weekly This book will change
you. --Chicago Tribune [Als] is a poet on the page, and his
insistence on breaking the essay form defines his liberation as a
writer. --The Rumpus [Hilton] Als interweaves personal revelation
with cultural touchstones, sometimes hopping from topic to topic at
a breakneck speed, other times examining concepts so strategically
and methodically his words become scalpels, flaying open
unacknowledged bias, privilege, and conflict where he sees it.
--The A.V. Club [Hilton Als] is above all a writer fascinated by
people: their little habits and turns of phrase, their
multi-layered sexualities, and their unfathomable relationships to
each other or, in the case of his famous subjects, to the world.
--UTNE Mr. Als is a national treasure. --the New York Observer
[White Girls] is a book that rewards rereading if not requires it,
but that rewards the investment amply, if not twofold. --Pittsburgh
Post-Gazette No one understands the intersections of race, gender
and sexuality as intuitively as [Hilton] Als does or explodes them
with more brio, and the variations he plays on the themes of
identity, intimacy and race achieve a fugue-like complexity and
power. --The Washington Post
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