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Skiddaw
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Part One: eighty panel paintings Ambleside . Angle Tarn . Applethwaite . Askham . Barrow Falls . Bassenthwaite . Bewaldeth . Blea Tarn . Borrowdale . Bothel . Brackenthwaite Fell . Branthwaite . Briery . Brothers Water . Buttermere . Caldbeck . Calebrack . Carrack Fell . Castlerigg . Causey Pike . Chapel . Dale Bottom . Derwent Fells . Dockray . Dovedale Falls . Douthwaitehead . Dungeon Gill Force . Elfhow . Embleton . Ennerdale Fell . Friar's Crag . Galleny Force . Gatesgarth . Glaramara . Grange . Great Calva . Great Dodd . Great End . Grisedale Pike . Grisedale Tarn . Haltcliff Bridge . High Ireby . High Pike . High Side . High Stile . High White Stones . Ivegill . Johnny Wood . Keswick . Kilnhill . Knott . Launchy Ghyll . Legburthwaite . Lingholm . Little Crossthwaite . Little Town . Longlands . Lord's Seat . Lorton Vale . Lowrow . Mardale Common . Matterdale End . Millbeck . Mosedale . Motherby . Mungrisdale . Newlands . Nine Becks Walk . North Row . Ormathwaithe . Over Water . Portinscale . Red Pike . Ruthwaite . Rydall Fell . Saddleback . Sadgill . Scales . Seatoller . Shap Fell . Skiddaw . Smithy Beck Trail . Sosgill . Sparket . Spout Force . Swirls Forest . Thackthwaite . Thirlmere . Threkeld . Tirril . Torpenhow . Troutbeck . Ulcat Row . Uldale . Ullscarf . Ullswater . Unthank End . Whelpo . Whitewater Dash . Whitrigg . Wythburn . Whythorp Mill . Yanwath . Yew Tree Hall. Part Two: A journey through Cumbria

About the Author

Born in 1948, Bromley, Kent, England, Philip James studied Painting and Printmaking (BA) with Keith Vaughan and Frank Auerbach at the Slade School, and History of Art (MA) at Kingston University. His primary attraction to landscape was developed in works made on site in Sussex, Devon, Cornwall and the Lake District, progressing to city series of London, Venice and Paris. He regularly exhibits at The Royal Society of British Artists and Royal Institute of Oil Painters (prizewinner 2002/03, ROI Elect 2003). Works have recently been shown at Beaulieu Fine Arts, Hampshire; Fisherton Mill, Salisbury; Wold Galleries, Gloucestershire; Bourne Gallery, Reigate; Manor House Gallery, Oxfordshire; Turner Gallery, Exeter; Vestry House, Richmond, and Smith Gallery Teddington. The artist's work is held in private collections in Britain, Europe and America. He maintains his art practice as Philip James Studio and is editor of Cv/Visual Arts Research (Cv Publications London).

Reviews

"The rigorous process yields interesting results" Catherine Dickinson, curator, Manchester Art Gallery. "I find the images of great interest" Jonathan Le Vey, Oriel Theatre, Clwyd

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