Jennifer Keishin Armstrong is the author of Sex and the City and Us, Seinfeldia, and Mary and Lou and Rhoda and Ted. She writes about pop culture for several publications, including The New York Times Book Review, Fast Company, Vulture, BBC Culture, Entertainment Weekly, and several others. She grew up in Homer Glen, Illinois, and now lives in New York City. Visit her online at JenniferKArmstrong.com.
***A NEW YORK TIMES BEST SELLER***
"Her book, as if she were a marine biologist, is a deep
dive...Perhaps the highest praise I can give Seinfeldia is that it
made me want to buy a loaf of marbled rye and start watching again,
from the beginning."
—Dwight Garner, The New York Times
“Even for those of us who imagine ourselves experts, Armstrong
scatters delicious details throughout her book, like so many
Jujyfruits we can’t resist… [I]n describing the making and writing
of this singular show, Armstrong is queen of the castle. Her
stories about “Seinfeld” are real — and they’re spectacular.”
—Washington Post
“Armstrong is an excellent writer and a first-rate journalist. I
can attest from firsthand knowledge that Seinfeldia is not only a
great read but an accurate historical description about two
comedians and one TV show that changed the course of television
history.”
—Kenny Kramer, the real-life inspiration for Sienfeld’s Kramer
“Lively and illuminating. A wildly entertaining must-read not only
for Seinfeld fans but for anyone who wants a better of
understanding of how television series are made.”
—Booklist, starred review
“Even as someone lucky enough to be on the show, I couldn’t put
Seinfeldia down.”
—Larry Thomas, “The Soup Nazi”
“[S]avvy and engaging…the best way to enjoy “Seinfeldia” is to read
the book with TV remote in hand, calling up episodes on Hulu as Ms.
Armstrong adroitly recounts the back story of these
still-captivating shows that were never, ever about nothing.”
—Wall Street Journal
"Armstrong proves herself the perfect guide to understanding who,
what, when, where, why, and how this show came to define American
culture in the ’90s…. Seinfeldia is as funny and interesting as a
good episode of the show it covers. Armstrong’s pacing and
attention to detail makes it a book about pop culture that goes by
almost too quickly."
—A.V. Club, Grade: A-
"The heart of Armstrong’s book and its most engaging quality is how
it all came to be: the Seinfeld rules of the road that seemed to be
without rules; the actors who left their indelible mark (Bryan
Cranston as dentist Tim Whatley, Teri Hatcher as one of Jerry’s
“spectacular” girlfriends) and the parade of moments about nothing
that really turned out to be something."
—USA Today
“Armstrong's intimate, breezy history is full of gossipy details,
show trivia, and insights into how famous episodes came to be. How
nothing could become something or how a national TV audience
learned to live in a Beckett-ian world. Perfect for Seinfeldians
and newcomers alike.”
—Kirkus Reviews
“Armstrong offers a masterly look at one of the greatest shows. The
research involved makes this a boon to television scholars, but
Seinfeld enthusiasts will also enjoy this funny, highly readable
book.”
—Library Journal
“This book is the ultimate score for any Seinfeld addict.”
—Fred Stoller, author of My Seinfeld Year
“At last, here is the quintessential book on how and why a show
about nothing managed to wend its way through the mediocrity and
emerge as a hit. Read it.”
—Mike Sacks, author of Poking a Dead Frog
“Seinfeldia is an addictive read for any TV lover. Jennifer Keishin
Armstrong's trenchant insight into the cultural phenomenon and
pervasive fandom of the beloved show is real, and it's
spectacular.”
—Maris Kreizman, author of Slaughterhouse 90210
“From the stories behind the stories to the characters behind the
characters, Seinfeldia delivers everything you always wanted to
know.”
—William Irwin, editor of Seinfeld and Philosophy
“Jennifer Keishin Armstrong has managed to do the impossible -
she's written a book about nothing. Which is everything. Because
it's Seinfeld. Through Armstrong's pen, we learn exactly how a
couple of neurotic comics hijacked "nothingness" (once the
exclusive domain of Buddhist monks and their serene, mountaintop
"monk-spas") and transported it into every TV set in America.”
—Mary Birdsong, Reno 911
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