Reviews

a drop-dead-gorgeous, pop-culture-packed look back at her career, which is starting to get the recognition it always deserved.
*The New York Times*

A recent reevaluation of Pop art that goes beyond the largely Anglo-American, white male artists with whom it has historically been associated.
*Artnews*

[Who Does She Think She Is] may contain the secret of Drexler's remarkable ability to sustain such a rich oeuvre over so many decades... Drexler has never ceased to leave the big questions open, to be ready to adopt whatever new role, whatever necessary mask, her art requires... She has always been ahead of her time.
*Art in America*

The catalogue…makes it clear that there’s more than one way to be a star.
*Harper's Magazine*

These works teeter towards abstraction but prevail as figurative renderings of intensely private moments... These pieces of performance come together, creating a chorus of identities that harmonizes in a conflicted but coherent whole.
*Hyperallergic*

Rosalyn Drexler’s life and work appear allergic to the word dull.
*Artforum*