Reviews

"This project will enrich every American home and classroom."
—Publishers Weekly

"As vital and necessary a historical document as anyone has ever produced in this country."
—The Boston Globe

"Moving recollections fill a void in the slavery literature."
—The Washington Post Book World

"Ira Berlin’s fifty-page introduction is as good a synthesis of current scholarship as one will find, with fresh insights for any reader."
—The San Diego Union-Tribune

"Invaluable."
—Chicago Tribune

Recently, there has been a spate of books on the issue of slavery. Drawing on tapes made by the Federal Writers Project in the 1930s and 1940s, Remembering Slavery (LJ 9/1/98) records the history of slavery as told by ex-slaves. This powerful document was edited partly by Berlin, a prominent historian on the subject, whose Many Thousands Gone, offers "an imaginative, detailed account of American slavery from its origins at the beginning of the 17th century through the revolution" (LJ 9/15/98). Johnson and Smith's book, which accompanies a PBS series, has been marred by controversy‘Smith was fired from the Boston Globe for fabricating stories. But the book remains both an "easy-to-read history of American slavery" (LJ 9/15/98) and an imaginative rethinking of history: fiction writer Johnson integrates a dozen short stories into the text.

Two projects begun independently and presented together here provide chilling witness to slavery's persistent legacies. Transcripts of 124 former slaves interviewed in the 1920s and 1930s are accompanied by recently restored recorded interviews that have languished in the Library of Congress since 1941. Historian Berlin, founding director of the Freedmen and Southern Society Project at the University of Maryland, is a master of allowing the natural drama of history to unfold. The tapes particularly are riveting‘perhaps especially for those seeking their roots in Southern slavery. Until the modern civil rights movement, Berlin notes, historians' "struggle over slavery" was considered "too important to be left to the [blacks] who experienced it," but their experience has increasingly been coming to light as more archival material is unearthed and made available. Still, some seams are apparent. The original transcribers of the print interviews (nine appear both in print and on cassette) made numerous and idiosyncratic editorial interventions that at times can read, as Berlin notes, like "minstrel-speak." Actor James Earl Jones and dancer Debbie Allen reading selections from the interviews on portions of the tape are not nearly as credible or moving as the voices of former slaves. Those wonderfully present voices describe family life, work ethic and recreational patterns, religious ethos and resistance in answer to questions posed in often unmistakably condescending terms by white interviewers. This project will enrich every American home and classroom. 40 b&w photos not seen by PW. (Oct.)

"This project will enrich every American home and classroom."
-Publishers Weekly

"As vital and necessary a historical document as anyone has ever produced in this country."
The Boston Globe

"Moving recollections fill a void in the slavery literature."
The Washington Post Book World

"Ira Berlin's fifty-page introduction is as good a synthesis of current scholarship as one will find, with fresh insights for any reader."
The San Diego Union-Tribune

"Invaluable."
Chicago Tribune