About the Author

John Willis is Professor of Photography at Marlboro College and a co-founder of the In-Sign Photography Project and Exposures Cross Cultural Youth Photography Program. His photographs are in more than sixty collections, including the Amon Carter Museum, George Eastman House International Museum, Heard Museum, High Museum of Art, J. Paul Getty Museum, Library of Congress, National Gallery of Art, National Museum of the American Indian, San Francisco Museum of Modern Art, Whitney Museum of American Art, and Yale University Gallery of Art. His other books are Recycled Realities, with Tom Young, and Mni Wiconi: Honoring the Water Protectors and the Ongoing Struggle for Indigenous Sovereignty. Tom Young was born in 1951 in Boston, Massachusetts. He received his M.F.A. in photography from the Rhode Island School of Design in 1977. He is currently a professor of art, emeritus, at Greenfield Community College in Greenfield, Massachusetts. He has been awarded an Artist Fellowship from the National Endowment for the Arts and four Artist Fellowships from the Massachusetts Cultural Council. His work is included in numerous permanent collections, including the Museum of Fine Arts in Boston, Polaroid International Collection in Offenbach, Germany, and Harvard University's Fogg Museum. Young's work has been exhibited internationally, including the International Center of Photography in New York City, the Frans Hals Museum in Harlem, The Netherlands, the Kunsthalle in Hamburg, Germany, and the National Museum of Fine Arts at the Smithsonian Institution in Washington, DC. In addition to Recycled Realities, he is the author of Timeline: Learning to See with My Eyes Closed (George F. Thompson Publishing, 2012). His photographs have also appeared in a number of publications, including Artworks: Tom Young (Williams College Museum of Art), American Perspectives (Tokyo Museum of Photography), Goodbye to Apple Pie (DeCordova Museum, Lincoln, Massachusetts), and 2 to Tango: Collaboration in Recent American Photography(International Center of Photography). He resides in Buckland, Massachusetts.

Reviews

"In this wonderful book, the momentary and continually changing reality of the physical present is displaced by the ubiquitous and seemingly permanent static image: the photograph being the most disquieting of these. In Recycled Realities, evolution is witnessed as an inevitable process whereby all things and beings are recycled by the one true--and apparently eternal, but still largely unknown--reality: nature, the ultimate recycler. And nature is an extraordinary visual event, as is revealed in these remarkable photographs. Recycled Realities is ultimately a sad story, but happiness abounds along the way."--Carl Chiarenza, Fanny Knapp Allen Professor of Art History, Emeritus, University of Rochester

"John Willis and Tom Young find surreal juxtapositions among texts and images pressed together in bales. Their long views emphasize our voracious consumption of paper products and the industry it has spawned, while close-ups form an exquisite corpse of collected waste. Together the photographs in Recycled Realities imbue the discarded stuff of everyday life with beauty, significance, and grace."--Syvia Wolf, Director, Henry Art Gallery, University of Washington

"John Willis and Tom Young's haunting photographs transform a New England paper mill factory and its mounds of raw material--recyclable printed matter cast off from the insatiable publishing industry--into an evocative archeological landscape, a contemporary Babel."--Deborah Martin Kao, Chief Curator of the Harvard University Art Museums

"Recycled Realities is a book by two true visual poets, and it is difficult to imagine a richer or more fortunate collaboration. At a time when population and excessive consumption are deeply serious concerns worldwide, John Willis and Tom Young have made splendid, positive, lyrical images out of the waste and debris left over from our busy lives. 'Man buys what he destroys, ' Frederick Sommer reminds us, and then goes on to assure us that it is the nature of the poetic act which secures our place in a world we do not control. Recycled Realities is such a poetic act and a marvelous visual accomplishment, all at once."--Emmet Gowin, Professor of Photography, Emeritus, Princeton University