SALES POINT- * Stunning new Minerva edition issued to tie in with Gita's new book Snakes and Ladders. * Huge publicity and promotion campaign for Gita around publication. * Over 60, 000 copies sold of the Mandarin edition, top 10 bestseller on publication. * 'An Indian summer in the 50th anniversary of Indian independence - join the India fest!
In addition to her books, Karma Cola, Raj, A River Sutra and Snakes and Ladders, Gita Mehta has written articles for a number of Indian, European and American magazines, and filmed documentaries for European and American television. Her books have been translated into thirteen languages and published in twenty-seven countries. She lives in New York, London and India.
In the story of Princess Jaya of Balmer, spanning the first half of this century, the author of Karma Cola (and the wife of Knopf's Sonny Mehta) offers a panoramic view of the pain and pageantry attending the demise of royal India. Raised traditionally, Jaya is also schooled to follow modern politics as the royal houses of India, struggling for autonomy within the British Empire, are drawn into global affairs. After her brother dies fighting at Aleppo and her father is poisoned, Jaya is wed to a prince of another kingdom, who forsakes her for an extravagant life in England and Europe. She bears a son, whom she raises to be Maharajah, but in the paroxysm of the nationalist movement and the bloodshed between Hindus and Muslims, both son and husband are doomed. As Maharani, Jaya signs the Instrument of Accession in 1950; as an individual, she stands for election, hoping to carry out the mission of leadership to which she was born. Grounded in details of ancient royal tradition and Hindu ritual, Jaya's story counterpoints a vanished way of life against the complex political realities involved in the passing of the Raj and the birth of the modern nations of India and Pakistan. Although the rich background detail is engrossing, Jaya remains a remote character to whom one never develops an attachment. This lack of an emotional center ultimately vitiates the novel's effect. (Mar.)
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