National Print Campaign:
Advance copies to the following publications: the New York Times,
the Chicago Tribune, the Village Voice, the Atlantic Monthly,
Portland Monthly, the Portland Mercury, the Stranger, Print, the
Washington Post, the San Francisco Chronicle, Midwest Book Review,
the LA Times, the LA Review of Books and many others.
Advance copies to trades Publishers Weekly, Booklist and Library
Journal.
Online Media Campaign:
Advance copies, interview and review pitches to: NPR.org, the
Huffington Post, Comics Beat, the Comics Reporter, the Comics
Journal, Comic Book Resources, Flavorwire, Bookslut, Pop Matters,
Inkstuds, Under the Radar, Paste Magazine, the Onion A.V. Club,
Pitchfork and Slate among others.
Promotion through the Secret Acres Scuttlebutt blog, Secret Acres
Facebook, Twitter and tumblr and through the artist's Instagram,
tumblr and website, http://www.reidpsaltis.com/.
Quotes from BoJack Horseman's Lisa Hanawalt and the Regular Show's
Minty Lewis!
Reid Psaltis is an illustrator from the Pacific Northwest. He has always been fascinated by animal life and compelled to draw. Psaltis majored in oil painting at Western Washington University, completed the science illustration graduate program at California State University - Monterey Bay. Psaltis interned in the Exhibitions Department at the American Museum of Natural History in New York, participating in the creation of the museum's world famous dioramas. Reid's work has been featured online at the Rumpus, Top Shelf 2.0, Study Group Comics and Trip City. His work has been published by Scout Books' Good Ink series, Science Notes and Alternative Comics, and he is the illustrator of Dan Berne’s the Gods of Second Chances (Forest Avenue Press). He currently lives in Portland, Oregon.
"A field guide to spotting and identifying mystery fauna, this fancifully illustrated work illuminates a menagerie of creatures, from the possibly extinct Ivory-Billed Woodpecker to the impossibly ubiquitous Jackalope." -- National Geographic "Psaltis mixing things up keeps the reader off-balance in that regard, as one never knows what's coming next. The commentary gets stranger and funnier as the book goes on, like the remarkable drawing of the Great Horned Owl where its bones are arranged to form the shape of the animal, with only its piercing eyes appearing as per normal. The only comment is "Nightmare fuel for all species of rodents." -- High-Low
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