Hazrat Inayat Khan (1882 1927) came to Europe and America from his
native India with a message of love, harmony, and beauty that was a
new approach to harmonizing Western and Eastern spirituality. He
established a school of spiritual training based upon traditional
Sufi teachings infused with the vision of the unity of religious
ideals and the awakening of humanity to the divinity within. Inayat
Khan died in India in 1927, leaving a significant body of recorded
discourse and instruction on all things pertaining to spiritual
ideals in the midst of life in the world.
Allyn Miner specializes in the history of North Indian music
based on Sanskrit, Hindi, and Urdu sources. She has a PhD in Indian
Musicology from Banaras Hindu University and a PhD in Sanskrit from
the University of Pennsylvania. She spent eleven years in Varanasi,
India, where she studied sitar performance with Thakur Raj Bhan
Singh and musicology with Professor Prem Lata Sharma. She returned
to the United States, became a lecturer at the University of
Pennsylvania and continued performance study, eventually becoming a
disciple of Ustad Ali Akbar Khan. Allyn taught courses on sitar and
Performing Arts in South Asia at the University of Pennsylvania
until 2017. Her book Sitar and Sarod in the 18th and 19th
Centuries is a definitive study of the early history of the
sitar. Her Sangītopanişatsāroddhāra is a translation of a
fourteenth-century Sanskrit musicological text. The Minqār-i
Musiqār is a translation of the 1912 Urdu work by Hazrat
Inayat Khan. She continues to do research and publish on North
Indian music, and performs and teaches the sitar. She has an avid
interest in Irish traditional music and plays fiddle, concertina,
and banjo.
Pir Zia Inayat Khan, PhD, is a scholar of religion and teacher
of Sufism in the universalist Sufi lineage of his grandfather,
Hazrat Inayat Khan. Pir Zia is president of the Inayatiyya and
founder of Sulūk Academy, a school of Sufi contemplative study and
practice with offerings in North America and Europe, as well as
online. He is editor of A Pearl in Wine: Essays in the Life,
Music and Sufism of Hazrat Inayat Khan and Caravan of
Souls: An Introduction to the Sufi Path of Hazrat Inayat Khan, and
author of Saracen Chivalry: Counsels on Valor, Generosity and
the Mystical Quest; Mingled Waters: Sufism and the Mystical
Unity of Religions; and Dream Flowers: The Collected Works of
Noor Inayat Khan with a Critical Commentary by Pir Zia Inayat Khan.
Pir Zia divides his time between Richmond, Virginia and Suresnes,
France.
The Indian Patriot of 8-9-1908. - Beyond and above what the Professor has inherited from distinguished musicians with whom he is connected by ties internal and paternal, he had the benefit of systematic course of training in the theory and practice of Indian music for over 12 years under Prof. Mowla Bux himself. He has made a critical study of the standard works on Sangit and is also the author of some good books in Hindi on the same subject. The Hindu of 23-3-1908. - He kept the audience spell-bound. His sweet melodious voice, his grasp of both the Hindustani and Carnatic science of music, his complete mastery over Swarams, the effective modulations of his voice touched the hearts of everyone whether he had a taste for music or not. The Daily Post of 20-1-1908. - He is one of the best musicians that we have in Southern India. His performances on the Jaltarang and other instruments have been greatly appreciated by Indians and Europeans alike. He has been honoured by invitations to give performances before Lord Elgin, Lord Curzon and Lord Ampthill, who expressed their admiration and appreciation.
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