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Middle Age: A Romance
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About the Author

Joyce Carol Oates is a recipient of the National Medal of Humanities, the National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, the National Book Award, and the 2019 Jerusalem Prize, and has been several times nominated for the Pulitzer Prize. She has written some of the most enduring fiction of our time, including the national bestsellers We Were the Mulvaneys; Blonde, which was nominated for the National Book Award; and the New York Times bestseller The Falls, which won the 2005 Prix Femina. She is the Roger S. Berlind Distinguished Professor of the Humanities at Princeton University and has been a member of the American Academy of Arts and Letters since 1978.

Reviews

"Hilarious and mournful. [Oates's] realism is laced with suspense, her mastery of storytelling on full display." -- Newsweek"A magnificent treat.... Middle Age is the work of a master in her prime." -- San Francisco Chronicle

A romance? The hero dies in the opening pages, adolescents renounce their parents and the grownups aren't true to themselves, much less each other, because they have no idea what they are. In the Lexus-crowded town of Salthill-on-Hudson, husbands and wives share beds in which the linens meet more crisply than the bodies. "How eternal is a single night, and of what eternities are our long marriages composed!" And yet romance is deep in the bones of this soaring epic of renewal and redemption, an Easter of the flesh, a Viagra of the soul. Sculptor Adam Berendt goes into cardiac arrest while saving a child from drowning, and so redeems the 50-somethings of Salthill with his death; he confers the idea and the actuality of grace on their lives. It may be said of Oates's oeuvre that it is a long marriage between author and reader, composed of many eternities. Her sentences seem to contain more sentiment per word than anyone else's. She punishes us with terrible truths: Death lurks at every window and Eros is a demon, worshiped at awful cost. In marriages charged with such import, one must cheat in order to breathe, as Augusta Cutler discovers after Adam's death, when she leaves her husband, Owen, to ferret out the truth about Adam, and herself, and to find respite. Reminiscent of her powerful Black Water, but equipped with a happy ending, Oates's latest once more confirms her mastery of the form. (Sept. 10) Forecast: Of late, Oates can do no wrong. Deep in her career, she is pulling out the stops again. Since the success of Blonde, and Oprah's February 2001 selection of We Were the Mulvaneys, more readers than ever will be gravitating to her new work (and her backlist, too), and they should be thoroughly satisfied with her latest offering. Copyright 2001 Cahners Business Information.

"Hilarious and mournful. [Oates's] realism is laced with suspense, her mastery of storytelling on full display." -- Newsweek"A magnificent treat.... Middle Age is the work of a master in her prime." -- San Francisco Chronicle

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