Tomie dePaola was born in Meriden, Connecticut, in 1934 to a family
of Irish and Italian background. By the time he could hold a
pencil, he knew what his life's work would be. His determination to
create books for children led to a BFA from Pratt Institute in
Brooklyn, New York, and an MFA from the California College of Arts
& Crafts in Oakland, California.It drove him through the years of
teaching, designing greeting cards and stage sets, and painting
church murals until 1965, when he illustrated his first children's
book, Sound, by Lisa Miller for Coward-McCann. Eventually, freed of
other obligations, he plunged full time into both writing and
illustrating children's books.He names Fra Angelico and Giotto,
Georges Rouault, and Ben Shahn as major influences on his work, but
he soon found his own unique style. His particular way with color,
line, detail, and design have earned him many of the most
prestigious awards in his field, among them a Caldecott Honor Award
for Strega Nona, the Smithsonian Medal from the Smithsonian
Institution, the Kerlan Award from the University of Minnesota for
his "singular attainment in children's literature," the Catholic
Library Association's Regina Medal for his "continued distinguished
contribution," and the University of Southern Mississippi
Medallion. He was also the 1990 United States nominee for the Hans
Christian Andersen Medal for illustration.Tomie dePaola has
published almost 200 children's books in fifteen different
countries. He remains one of the most popular creators of books for
children, receiving more than 100,000 fan letters each year.Tomie
lives in an interesting house in New Hampshire with his four dogs.
His studio is in a large renovated 200-year-old barn.- He has been
published for over 30 years.
- Over 5 million copies of his books have sold worldwide.
- His books have been published in over 15 different countries.
- He receives nearly 100,000 fan letters each year.Tomie dePaola
has received virtually every significant recognition forhis books
in the children's book world, including-- Caldecott Honor Award
from American Library Association
- Newbery Honor Award from American Library Association
- Smithson Medal from Smithsonian Institution
- USA nominee in illustration for Hans Christian Andersen Medal
- Regina Medal from Catholic Library Associationcopyright 2000 by
Penguin Putnam Books for Young Readers. All rights reserved.
In this companion to The Legend of the Bluebonnet, Little Gopher is smaller than the rest of the children in his tribe and can't keep up with those who ride, run, wrestle or shoot with bows and arrows. But, he has a talent of his ownhe is an artist. When he grows older, a Dream-Vision comes to him: a young Indian maiden and her grandfather tell him that he will paint pictures of the great warriors with colors as pure as the evening sky. Little Gopher's paintings never satisfy him because the colors are dull and dark, but he keeps trying. In the night, a voice tells him how to find paint-filled brushes; Little Gopher locates them, and they become brilliantly colored flowers known as Indian Paintbrush. This tale is related with deceptive simplicity by dePaola; he enhances the plainness of the story with his primitive illustrations, and, like Little Gopher, he finds inspiration in the colors of the sunset. Ages 2-7. (May)
K-Gr 4 Little Gopher was smaller than the other young Indian boys of his Plains tribe, and although he tried hard, he could not do what the others did. The tribe's wise shaman assures him, however, that he has a different gift. As he grows up it is revealed to him in a vision that he will paint pictures of the glories of his tribe, that his own greatest work will someday be ``a picture that is as pure as the colors in the evening sky.'' As he grows older he does indeed paint the great deeds, the hunts, the visions of his tribe. But making paints to match the colors of the evening sky eludes him. One night, a voice directs him to a special vantage point where he finds brushes filled with wonderful colors. He creates at last his masterwork, and the next day the brushes have rooted and become the brilliant flowers we now call Indian Paintbrush. This book will inevitably be compared with The Legend of the Bluebonnet (Putnam, 1983), but the pivotal elements are very different. The humanity expressed in this story illustrates the value of perseverance, and of endurance of effort that will bring its reward. DePaola's softly rounded shapes and his hero's diminutive stature, downcast eyes, and sober mien breathe attitudes of acceptance, of quiet waiting, of diligent persistence. The picture of the boy gazing mutely, patiently, into the western sky is ineffably moving. And dePaola must have had a wonderful time painting the gloriously uplifting skies depicted here. Ruth Semrau, Lovejoy School, McKinney, Tex.
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