About the Author

Born: 1954 Jamie Delano was variously employed before becoming a professional comic book scriptwriter in the early 1980s. In addition to diverse comics work, Delano has experimented with screenwriting and, latterly has focused on prose, his first love. He also manages Lepus Books, a cooperative imprint established in 2012 to bring his own prose work, and that of others appealing to his own idiosyncratic taste, to potential readers. Jamie lives with his partner, Sue. They have three adult children and five grandchildren.

Reviews

"Delano pulls no punches with this novel. It's dark. It's depressed. It's depraved. You aren't given a chance to get your bearings. You are thrown off the deep end. Like Anthony Burgess' A CLOCKWORK ORANGE, it's sink or swim as you may. It's an aggressive and bold play. And I'll admit, the first few chapters were hard. The dialogue especially, opaque, the slang coming hard and fast, the future lingo mixed into the street patois, the Inglund dialect with it missing consonants blurring your eyes. And then, suddenly, beautifully, it opens - and you find yourself captivated, captured, bagged and dragged off, by Leepus and his constant machinations, his ever shifting world. Much like OUTLAW NATION with its defined world philosophy teeming behind the action, even with an unreliable point of view like Leepus, Delano develops a viable, breathing, intricate world, with its own logical structure to it. Even amongst the chaos. Especially amongst the chaos. The government may be ghostly in the outer world of Leepus, but they have a real physical, tangible presence in every page. There is a world there, even if we the reader are only dimly seeing it. Not a paper world, but a deep, thick, ugly world. It's like a flipped coin of Alan Moore's V FOR VENDETTA. Not the city folk. Not where "England prevails." Where it does not. In the hinterlands. Where the spirit of chance is always there, taunting you. What really strikes the reader is how brittle, how fragile, this world, this Inglund, and by extension our world, our own Englands, are. As fragile as Leepus himself. 2014 seems to have been the year of the future of England. When I thought about William Gibson's THE PERIPHERAL, I noted how it was infused with nostalgia, a true nostalgia. The characters that hearken back to the past are those who come off least damaged. They have an acceptance, and a reverence, for that past. In a real sense, Delano is the anti-Gibson. There is not even a veneer of longing for the past, it's simply one more commodity, one that comes covered in blood. Sentiment brings destruction here. Another dark alley to avoid. Leepus own acknowledgment's of the past, his past, cut him to the quick. Without giving too much away, in the end we are given a very dark meditation on what it means to live with your art. It's decidedly bittersweet." Joe Hilliard - Asylum Ink http: //asylumink.net/?p=508