Martha Cooley is the author of the national bestseller The Archivist and Thirty-Three Swoons. The Archivist was a New York Times Notable Book and a New and Noteworthy paperback. Cooley is currently a contributing editor at A Public Space. Her co-translations of Italian fiction and poetry include Antonio Tabucchi's story collection Time Ages in a Hurry. A professor of English at Adelphi University, Cooley divides her time between Queens, New York, and Castiglione del Terziere, Italy. Her American cat, Zora, is named after one of the cities in Italo Calvino's Invisible Cities, and their Italian cat, Tristana, is named after the medieval knight.
Praise for Guesswork
"[A] splendid and subtle memoir in essays"" —The New York Times
Book Review
"As delightful and multi–faceted as the tiny medieval Italian
village Cooley spent a year in, Guesswork grapples with weighty
ideas of mortality and creativity, as well as personal and cultural
legacies. Cooley deftly captures the local characters, both human
and animal, as well as the cultural and linguistic state of
inbetweenness she and her Italian husband exist in. A surprising,
beautiful, and moving memoir in essays." —Rob Spillman
"Beauty and Sadness, the title of Kawabata's novel, could equally
fit Martha Cooley's deeply felt, lyrically precise memoir. Such
exquisite descriptions and pointed observations pour forth from
this writer, gifted with enviable cultivation and sensibility."
—Phillip Lopate
"In her new memoir, Guesswork, Martha Cooley explores the issues of
loss and grief. With eloquence and tenderness, using as lenses
Italy, the deaths of friends, and the nature of love and
responsibility toward aging parents, she has written a lovely,
thoughtful book, full of wisdom and caritas." —Roxana Robinson
“Martha Cooley has a natural instinct for the introspective essay.
She creates a subtle pulse of memory and reflection, combining a
lyric warmth of engagement with a classicist’s restraint of
presentation. The people come alive, and the place—Italy—is vivid
in the moment even as it is held fast in the long lens of time.”
—Sven Birkerts, Author of Changing the Subject: Art and Attention
in the Internet Age
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